The title is the only funny thing about this fictional memoir of a mailman's son, a 27-year-old slacker who's haunted by ``the Evil Seed of Postal Hate.'' His juvenile rants and violent fantasies add to the sense that he's really just slumming in Bukowski-land. For all his tough-guy posturing and anti-p.c. invective, Steve Reeves is really a whiny navel-gazer who believes he's entitled to a good life. After all, he's the first in his family to graduate from college (UC/San Diego), even though he also describes himself as a ``malcontent'' and ``misfit.'' Full of adolescent hatred for his family, Steve lives in Berkeley, where he finds himself, in short order, fired (from a bagel shop) and dumped by his girlfriend (for a hippie). He wastes away his days fantasizing about supermodels and recounting the stories of famous psycho-mailmen. He shares these unamusing tales of mass murder with his fellow misfits: Billy, a paranoid biker in his 50s; Brady, a homosexual- hating Texan; and Callahan, an affected rich kid—none of them providing the comic relief they're seemingly intended to. On a trip home for his sister's wedding (to a mailman), Steve's nasty father gives him a Colt .45, and Steve, a crack shot, focuses all his future obsessions on his weapon, compiling an ``Enemies of the Realm List'' of all those who've done him wrong. Episodic to a fault, the narrative bobs along on a series of silly antics, from bowling on PCP to barbecuing steak at a vegan picnic. None of Steve's fears concerning his father's allegedly violent legacy mask the real Oedipal drama at the heart of this frivolous story. The upbeat ending is as unearned as all the angst—a new girlfriend and some ready cash save the world from Steve's childish rage. Jokes about Charles Manson and designer coffee—this pointless debut appeals to the lowest common denominator of slacker chic, itself a rather passÇ phenomenon.
Pub Date: May 27, 1997
ISBN: 0-425-15768-7
Page Count: 256
Publisher: Berkley
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1997
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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