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NICHOLAS COOKE

ACTOR, SOLDIER, PHYSICIAN, PRIEST

The splendor and squalor of Elizabethan England come sharply into focus in this saga of a talented, troubled actor's search for himself: a first from Renaissance specialist Cowell. Young Nicholas Cooke was a promising student in Canterbury until his father was hung as a thief and his mother turned to prostitution. Nicholas's rage at this cruel fate costs him his dream of advancing to study at Cambridge and forces him to flee to London, where a chance encounter with Christopher Marlowe near St. Paul's leads to lusty infatuation. In time, the playwright brings the younger man to a company of struggling actors for a proper introduction to the theater, with Nick becoming a reluctant but dutiful apprentice to John Heminges, Shakespeare's friend and associate. As years pass he learns the trade well, in spite of his inner conflicts—not least of which is an unrequited love for his master's sweet young wife; after a brief, passionate encounter with her, he decamps for the glory of war against the Irish rebels, but finds it a misguided, gruesome business from which he barely escapes alive. Welcomed as the prodigal returned, he marries (reluctantly) Heminges's daughter and becomes an actor of the first rank at the Globe, only to fall victim once more to his unsettled nature, abandoning his career to pursue a long-suppressed desire to become a priest. Failure at this ruins his marriage but leaves him free at last to go to Cambridge, where he studies medicine and returns to London a physician. When a sympathetic bishop makes him a priest, he finally gains his heart's ease—and the respect of all who knew him. Seething and turbulent: Cowell's debut is a moving picaresque- -as well as a detailed portrait of Shakespearean England—and a delight to read.

Pub Date: Sept. 1, 1993

ISBN: 0-393-03543-3

Page Count: 448

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1993

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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