A delight, at once fanciful and erudite: should be richly satisfying to Mozart buffs and fascinating to those in the outer...
A fourth outing by New York soprano and novelist Cowell (The Players, 1997, etc.) re-creates the situation that led up to Mozart’s marriage.
Based on true events, this is the story of the prodigy who, at 21, is just beginning to make a name for himself as a serious composer. Unhappily engaged as a court composer for the Archbishop-Prince of Salzburg, Mozart leaves the bishop’s employ in 1777 and begins to travel throughout Europe with his beloved, ambitious mother. In Mannheim, the two visit the home of Fridolin Weber, an impoverished musician whose four daughters (Josefa, Aloysia, Constanze, and Sophie) are as renowned for their musical talents as for their beauty. Mozart eventually becomes a lodger in the Weber home and a fixture in that family’s life. Fridolin’s wife Maria, a shabby-genteel sort who nurses memories of her fine upbringing and dreams of recovering her lost position in society, wastes no time in sizing up the young Mozart as a good prospect for a son-in-law—although not in the same league with the Swedish count they’re also trying to reel in. Before long, Mozart is engaged to Aloysia, but this ends unhappily when it turns out the young lady is pregnant by another boarder (a painter). The brokenhearted Mozart leaves Mannheim and throws himself into his work, but he has a change of heart in the end and returns to the Weber house to marry Constanze and live out the rest of his life with her—fairly happily, too. Cowell frames the story by relating much of it as a memoir, recalled by Sophie in 1842 at the behest of Mozart’s English biographer Vincent Novello. With its frequent changes in locale and abrupt switches in the objects of affection, the tale is reminiscent of nothing so much as an opera—appropriately enough.
A delight, at once fanciful and erudite: should be richly satisfying to Mozart buffs and fascinating to those in the outer circle as well.Pub Date: Feb. 1, 2004
ISBN: 0-670-03268-9
Page Count: 380
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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