Having successfully reanimated Shakespeare's day in her debut, Nicholas Cooke (1993), Cowell comes up well short of the mark in this sequelan attempt to convey the turbulence of London life in the years leading up to the English Civil War. Nicholas Cooke is again in the thick of things, this time as a newly appointed priest and self-sacrificing physician who in 1617 befriends young Thomas Wentworth, destined to become King Charles's right-hand man. At first Nick and Tom are the closest of comrades: They share confidences and dreams, joining with other scientifically minded men, among them William Harvey, the King's physician, to discuss matters of science. Nick pursues his research into magnifying lenses as assiduously as Tom courts favor from the King, but Tom proves more successful initially. Appointed to increasingly influential positions, he gains in prominence while he loses in private lifehis first two wives die in their prime. Meanwhile, Nick for his part overcomes a reluctance to remarry when he meets his match in brainy beauty Cecilia, but their harmonious union turns sour when he learns that a mutual attraction between her and Tom gave rise to a quick coupling as he lay grieving over the death of Wife #2. The rupture mends in time, even as the split between King and Puritan Parliament widens; when the King's effort to subdue the unruly Scots fails, Tom is picked by both parties as the fall guy. Matters only worsen after his beheading, however, so that when London goes over to the Puritans, loyal royalists Nick and Cecilia are first isolated and then assaulted, forcing them to flee to France. With complex relations given short shrift and Nick's mental anguishing endlessly circularto wed or not to wed, to forgive or not to forgive, etc.a sequel that's both shallow and leaden, with little of its predecessor's more innocent charms.
Pub Date: Oct. 1, 1995
ISBN: 0-393-03873-1
Page Count: 416
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1995
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
With lantern-lit tales of old China, a rich humanity, and an acute ear for bicultural tuning, a splendid first novel—one...
An inordinately moving, electric exploration of two warring cultures fused in love, focused on the lives of four Chinese women—who emigrated, in their youth, at various times, to San Francisco—and their very American 30-ish daughters.
Tan probes the tension of love and often angry bewilderment as the older women watch their daughters "as from another shore," and the daughters struggle to free themselves from maddening threads of arcane obligation. More than the gap between generations, more than the dwindling of old ways, the Chinese mothers most fear that their own hopes and truths—the secret gardens of the spirit that they have cultivated in the very worst of times—will not take root. A Chinese mother's responsibility here is to "give [my daughter] my spirit." The Joy Luck Club, begun in 1939 San Francisco, was a re-creation of the Club founded by Suyuan Woo in a beleaguered Chinese city. There, in the stench of starvation and death, four women told their "good stories," tried their luck with mah-jongg, laughed, and "feasted" on scraps. Should we, thought Suyuan, "wait for death or choose our own happiness?" Now, the Chinese women in America tell their stories (but not to their daughters or to one another): in China, an unwilling bride uses her wits, learns that she is "strong. . .like the wind"; another witnesses the suicide of her mother; and there are tales of terror, humiliation and despair. One recognizes fate but survives. But what of the American daughters—in turn grieved, furious, exasperated, amused ("You can't ever tell a Chinese mother to shut up")? The daughters, in their confessional chapters, have attempted childhood rebellions—like the young chess champion; ever on maternal display, who learned that wiles of the chessboard did not apply when opposing Mother, who had warned her: "Strongest wind cannot be seen." Other daughters—in adulthood, in crises, and drifting or upscale life-styles—tilt with mothers, one of whom wonders: "How can she be her own person? When did I give her up?"
With lantern-lit tales of old China, a rich humanity, and an acute ear for bicultural tuning, a splendid first novel—one that matches the vigor and sensitivity of Maxine Hong Kingston (The Warrior Woman, 1976; China Men, 1980) in her tributes to the abundant heritage of Chinese-Americans.Pub Date: March 22, 1989
ISBN: 0143038095
Page Count: -
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1989
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
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