Good fun, good writing, and strong characters keep this high-wire plot aloft.
A dead woman betrayed by her younger lover takes gleeful, violent revenge.
“Yes, we are legion. Yes, we are a pain in the ass.” Joanna DeAngelis has died young of cancer, and she has died wrong—instead of connecting one last time with her loving daughters and faithful poodle, instead of departing peacefully with her affairs in order, she has spent her last days on Earth scrolling furiously through her Twitter feed for news of her one-time lover, a Columbia professor who abandoned her in the middle of a cancer relapse for Trudi Mink, celebrity dermatologist and social media queen, a woman whose “nail color was so heavily tweeted it became the Pantone color of the year.” “What the hell,” Joanna exclaims, upon entering the crowded, unpleasant realm of the spirits. “I pictured something out of a Nancy Meyers movie. I follow a light through a meadow, up a slate walk to a many-windowed house with white sofas, and…all the dogs I’ve had to put down greet me and frisk around me.” But instead she joins “the unresolved dead,” those unable to stop wanting what they cannot have, doomed to haunt their old neighborhoods, to orbit rather than rise. Her new mantra: “Make Ned pay.” In this debut novel, Gangi has a blast with her undead harpy character, who dive-bombs her own memorial service, trashes Dr. Trudi’s penthouse, and makes Ned into a social media pariah by running him through an obscene Mick Jagger dance routine in what used to be their favorite bar, where she finds him stepping out on Dr. Trudi with a Columbia undergrad. As Ned comes to fully regret the mistake he can never undo, Joanna’s daughters, one of whom was drunk and cheating herself at the moment of her mother’s death, struggle to find their ways in a motherless world. Or sort of motherless, anyway.
Good fun, good writing, and strong characters keep this high-wire plot aloft.Pub Date: Oct. 18, 2016
ISBN: 978-1-250-11056-5
Page Count: 320
Publisher: St. Martin's
Review Posted Online: July 26, 2016
Kirkus Reviews Issue: Aug. 15, 2016
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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