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THE NEXT

Good fun, good writing, and strong characters keep this high-wire plot aloft.

A dead woman betrayed by her younger lover takes gleeful, violent revenge.

“Yes, we are legion. Yes, we are a pain in the ass.” Joanna DeAngelis has died young of cancer, and she has died wrong—instead of connecting one last time with her loving daughters and faithful poodle, instead of departing peacefully with her affairs in order, she has spent her last days on Earth scrolling furiously through her Twitter feed for news of her one-time lover, a Columbia professor who abandoned her in the middle of a cancer relapse for Trudi Mink, celebrity dermatologist and social media queen, a woman whose “nail color was so heavily tweeted it became the Pantone color of the year.” “What the hell,” Joanna exclaims, upon entering the crowded, unpleasant realm of the spirits. “I pictured something out of a Nancy Meyers movie. I follow a light through a meadow, up a slate walk to a many-windowed house with white sofas, and…all the dogs I’ve had to put down greet me and frisk around me.” But instead she joins “the unresolved dead,” those unable to stop wanting what they cannot have, doomed to haunt their old neighborhoods, to orbit rather than rise. Her new mantra: “Make Ned pay.” In this debut novel, Gangi has a blast with her undead harpy character, who dive-bombs her own memorial service, trashes Dr. Trudi’s penthouse, and makes Ned into a social media pariah by running him through an obscene Mick Jagger dance routine in what used to be their favorite bar, where she finds him stepping out on Dr. Trudi with a Columbia undergrad. As Ned comes to fully regret the mistake he can never undo, Joanna’s daughters, one of whom was drunk and cheating herself at the moment of her mother’s death, struggle to find their ways in a motherless world. Or sort of motherless, anyway.

Good fun, good writing, and strong characters keep this high-wire plot aloft.

Pub Date: Oct. 18, 2016

ISBN: 978-1-250-11056-5

Page Count: 320

Publisher: St. Martin's

Review Posted Online: July 26, 2016

Kirkus Reviews Issue: Aug. 15, 2016

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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