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WHAT I SAW AT THE TRUMP WHITE HOUSE

A decidedly minor, though occasionally entertaining, addition to the sad library of Trumpiana.

A former Trump staffer reveals what by now are mostly open secrets.

As Trump’s press secretary for eight months, Grisham famously held no press briefings—not that there was any shortage of news. One reason, it seems, was that keeping the press away was a good way to stay out of trouble. Her predecessor, Sean Spicer, drew ridicule on Day 1 for a patent lie: “Forcing Sean to claim that the inauguration crowd was bigger than Obama’s, which I imagine Sean also knew was bullshit, was a test. Trump always wanted to see how far you would go to do his bidding; it was his way of measuring your loyalty.” Grisham offers little hard news, but she dishes well. Trump emerges, as in practically every other account, as an enraged, lecherous ogre with a preadolescent brain and a complete lack of any ability to censor himself. Melania Trump bears the Secret Service code name Rapunzel “because she remained in her tower, never descending.” When she did, it was usually to commit some faux pas, like the “I really don’t care, do u?” jacket while on the way to visit incarcerated children on the border. (“What a stupid thing to do.”) Regarding other family members, Ivanka has the depth of an inflatable pool and Jared Kushner, a scheming nature that far transcends the term Machiavellian, with the two showing up at John McCain’s funeral just to be seen. All the “mostly middle-aged white dudes” who made up the Cabinet were useless in the face of events such as “one of our first huge embarrassing, insulting, tone-deaf disasters,” namely Trump’s abysmal response to the White supremacist march in Charlottesville. And so forth, with few surprises, thanks to a narrative path already paved by dozens of other books, save for its moral: In the Trump White House, “instead of focusing on getting productive work done, you just want to survive.”

A decidedly minor, though occasionally entertaining, addition to the sad library of Trumpiana.

Pub Date: Oct. 5, 2021

ISBN: 978-0-06-314293-0

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: Oct. 5, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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