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A PERFECT EYE

An artistic thriller that will keep readers guessing and please the author’s fans.

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A whodunit features a homicidal painter in present-day Denver.

Lily Sparks, once a lawyer, has reinvented herself as the conservator of paintings at the Denver Art Museum, where she is renowned for being able to spot a forgery. George Kurtz, a very wealthy patron of the museum, has been brutally murdered, his corpse arranged in a sick homage to impressionist Gustave Caillebotte’s Fields of the Gennevilliers Plain, No. Seven. Enter hunky FBI agent Paul Riley. He and Lily were lovers a decade ago, and the flame still burns. Then there are Lily’s assistant, Amy; Lily’s professional rival, Gina Wheelock; Dave Byers, an experienced docent; and Nick Lang, whom everyone is a bit suspicious of, but that doesn’t stop Lily from sleeping with him. Throw in Lily’s widowed father, Harry Sparks, and that about rounds out the important cast. Kane (Seeds of Doubt, 2004, etc.) is an experienced—and lauded—thriller writer, and it shows. Her bad guy truly is a sicko. Some chilling chapters are told from the killer’s point of view, but of course he is not identified—not an original ploy but effective. So the drama builds, along with Lily’s and Paul’s tortured feelings for each other and their requisite misunderstandings. Has Paul sold out? Why is Nick so cagey? How many people hated Kurtz, and why? There is some clever misdirection in these pages. As a bonus, the audience gets quite an introduction to art appreciation, particularly from a conservator’s point of view. Add in the traditional scary chases toward the end—Lily becoming cornered, fighting an unknown assailant in the dark, and feeling unsure whom to trust—and readers have a truly classic thriller. An added, traditional fillip is that the killer has many more on his list, supercharging the race against time. How satisfying is the final reveal? Well, that will be up to each reader.

An artistic thriller that will keep readers guessing and please the author’s fans.

Pub Date: Sept. 1, 2019

ISBN: 978-1-73367-150-7

Page Count: 224

Publisher: Time Tunnel Media

Review Posted Online: June 10, 2019

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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