Cool alternative-history yarn of yester-century Nippon, a promising steampunk-energized start.
Defying his shogun’s ban on contact with the Western world, a young Japanese in 1852 uses smuggled blueprints and technology to create a hyperindustrial movement to thrust the nation forward into the modern age.
First-time author Sorensen launches her Sakura Steam series with a well-told what-if story that brings a steampunk aesthetic to real-life 1800s Japan. Tōru Himasaki, illegitimate son of a noble lord, arrives on the shores of southeastern Japan in 1852, having completed the first phase of a dangerous mission for which he was raised. Masquerading as a fisherman, Tōru pretended to be lost at sea and allowed himself to be rescued by passing Americans and taken on a grand tour of their country. Now, with two years of careful notes, books, factory blueprints, gadgets, and intel, Tōru comes home—facing execution as a traitor for violating Japan’s centuries-old policy of sokoku, or isolation, that has time-frozen the island nation into a feudal condition. Fortunately, Tōru manages to convince a few local lords of the desperate need to drive Japan forward into industrialization before the inevitable invasion by America and other foreign imperialists. In just a few seasons, Japanese facsimiles of guns, telegraphs, railways, early computers (Charles Babbage’s “difference engine”), submarines, and airships are under feverish construction—but with as much secrecy as possible due to the iron rule of the myopic, dictatorial Tokugawa Shogun, who may view such progress as a threat to his own power. Sorenson cunningly blends far-out fiction with actual historical personages (many of whom may be unfamiliar to round-eyed barbarian readers) and a Meiji Restoration–era mindset. If there seem to be a few stereotypes reinforced here (math-crazed, sword-swinging Asians, as industrious as ants as they vastly overhaul their whole culture nearly overnight), the urgency and echoes of real-life drama can still resonate. It’s no accident that the author name-checks Hiroshima and Nagasaki as historically vital port cities of old. Young adults as well as older readers can partake of the delicious genre-blending bento.
Cool alternative-history yarn of yester-century Nippon, a promising steampunk-energized start.Pub Date: Jan. 13, 2016
ISBN: 978-0-9969323-1-8
Page Count: 274
Publisher: Palantir Press
Review Posted Online: March 24, 2016
Kirkus Reviews Issue: May 1, 2016
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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