Cool alternative-history yarn of yester-century Nippon, a promising steampunk-energized start.
Defying his shogun’s ban on contact with the Western world, a young Japanese in 1852 uses smuggled blueprints and technology to create a hyperindustrial movement to thrust the nation forward into the modern age.
First-time author Sorensen launches her Sakura Steam series with a well-told what-if story that brings a steampunk aesthetic to real-life 1800s Japan. Tōru Himasaki, illegitimate son of a noble lord, arrives on the shores of southeastern Japan in 1852, having completed the first phase of a dangerous mission for which he was raised. Masquerading as a fisherman, Tōru pretended to be lost at sea and allowed himself to be rescued by passing Americans and taken on a grand tour of their country. Now, with two years of careful notes, books, factory blueprints, gadgets, and intel, Tōru comes home—facing execution as a traitor for violating Japan’s centuries-old policy of sokoku, or isolation, that has time-frozen the island nation into a feudal condition. Fortunately, Tōru manages to convince a few local lords of the desperate need to drive Japan forward into industrialization before the inevitable invasion by America and other foreign imperialists. In just a few seasons, Japanese facsimiles of guns, telegraphs, railways, early computers (Charles Babbage’s “difference engine”), submarines, and airships are under feverish construction—but with as much secrecy as possible due to the iron rule of the myopic, dictatorial Tokugawa Shogun, who may view such progress as a threat to his own power. Sorenson cunningly blends far-out fiction with actual historical personages (many of whom may be unfamiliar to round-eyed barbarian readers) and a Meiji Restoration–era mindset. If there seem to be a few stereotypes reinforced here (math-crazed, sword-swinging Asians, as industrious as ants as they vastly overhaul their whole culture nearly overnight), the urgency and echoes of real-life drama can still resonate. It’s no accident that the author name-checks Hiroshima and Nagasaki as historically vital port cities of old. Young adults as well as older readers can partake of the delicious genre-blending bento.
Cool alternative-history yarn of yester-century Nippon, a promising steampunk-energized start.Pub Date: Jan. 13, 2016
ISBN: 978-0-9969323-1-8
Page Count: 274
Publisher: Palantir Press
Review Posted Online: March 24, 2016
Kirkus Reviews Issue: May 1, 2016
Review Program: Kirkus Indie
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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