Sharp work from a promising writer who might do even better with the broader scale of a novel.
Debut collection of loosely connected stories follows a group of highly educated, often underachieving women through their 20s.
“Kissing” introduces us to most of the continuing characters through the eyes of Sylvie while she is a graduate student at Oxford. She sketches a tangled web of flirtations, sexual relations and betrayals among various expat Americans that continues back in the States, where unsettled, disconnected maneuverings are the norm for young people unsure of who they really are. We don’t much like Sylvie at the end of the next story, “Roommates,” when she moves out of the Manhattan apartment she shares with cancer-stricken Laurie; her oddly noncommittal relationship with Lance, a considerably older doctor from her Western hometown, is off-putting as well. Reluctance to engage is a temptation for much of this collection, which examines marrying for money (“Love for Women”), drifting in and out of jobs (“Temporary”) and weird sex (“Little Porn Story”) as strategies these smart, anxious women use to delay figuring out what they really want from life. But everyone grows up, whether they like it or not. The strongest stories, “Games” and “Awesome,” plumb Sylvie’s insecurities and show her learning to be more accepting, less concerned with the impression she makes. The weakest, Laurie’s delusional, cancer-stoked reverie in “Disquisition on Tears,” strays too far from the plain, realistic plot and character development that is Reents’ forte. Gratuitously baroque developments in a few tales also suggest an author still not entirely clear about the essential nature of her talent. On the whole, however, Reents impresses with her knowledge of conflicted young-adult hearts and her astute portrait of their social lives during the years in which the graduates of fancy colleges haven’t yet figured out who will make it big and who will merely get along.
Sharp work from a promising writer who might do even better with the broader scale of a novel.Pub Date: May 22, 2012
ISBN: 978-0-307-95182-3
Page Count: 240
Publisher: Hogarth
Review Posted Online: March 6, 2012
Kirkus Reviews Issue: March 15, 2012
BOOK REVIEW
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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