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THE WORDSMITHS

OSCAR HAMMERSTEIN 2ND AND ALAN JAY LERNER

Twice-told tales of two legendary Broadway lyricists. Citron (Noel and Cole, 1993, etc.) works chronologically: The first quarter of his text is pure Oscar Hammerstein (18951960) and the last quarter all Alan Jay Lerner (19181986); in between, he intercuts the stories but makes little attempt to relate them to each other. Despite some similarities, the two men had radically different personalities. Hammerstein was a moralist, an old- fashioned lyricist and librettist whose early work was in the accepted operetta style of the day. He had two extremely lucky breaks in his long career: One was an invitation to collaborate with Jerome Kern in 1927 on Show Boat, universally acclaimed as the first ``modern'' musical; the second was a late-in-life partnership with Richard Rodgers, beginning with the smash Oklahoma! (1943), which transformed him into a living legend. Lerner was a much more uneven and unpredictable worker. He benefitted from one important professional relationship, with Frederick Loewe, a Viennese-born composer who perfectly balanced Lerner's fiery temperament with his steadier musical hand; the duo are best remembered for My Fair Lady (1956) and Camelot (1960). While Hammerstein was a warm family man, genuinely loved by his colleagues, who had a lifetime of theatrical hits, Lerner passed through a slew of stormy marriages, battled a long addiction to amphetamines, and experienced a relatively short period of success. Citron offers insightful readings of both men's lyrics, as well as some interesting remarks about the evolution of their best-loved works. But his narrative is marred by awkward constructions (``all was not as bad as it might appear in the preceding paragraphs'') and oddly inappropriate clichÇs (``rumors...ran through the theater community faster than money through a drunkard's pockets''). Several previous books have already covered much the same biographical ground. Best read for its analysis of the songs; otherwise, little flesh on these bones. (b&w photos, not seen)

Pub Date: July 1, 1995

ISBN: 0-19-508386-5

Page Count: 384

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1995

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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