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THE RED HORSEMAN

Rear Admiral Jake Grafton, aviator-hero of Coonts's Under Siege (1990), etc., now saves the world from potential Armageddon- -and gets to meet Boris Yeltsin and Saddam Hussein in the bargain. The nearly nonstop action begins when an Israeli spy gives Jake's assistant Toad Tarkington a photo that leads Jake and Toad to suspect a CIA cabal at work in numerous evil deeds, including the murder of publishing magnate Nigel Keren (read: Robert Maxwell) by way of ``binary'' poison—poison that, because of the duo's sleuthing, may next be used on them. But despite the threat, Jake and Toad soldier on with their next assignment: to monitor the dismantling of Soviet nuclear missiles. The pair's sojourn in Russia allows Coonts to indulge in his usual soapboxing (``In case you haven't noticed,'' says Jake, ``Russia is a third-world shithole'') even as Jake and Toad meet with beetle-browed generals and try to avoid being poisoned by the CIA cabal. Meanwhile, an anti-Yeltsin KGB faction blows up a Russian nuclear-weapons site, causing a meltdown that may kill a million (```Another million,' Jake Grafton roared savagely. `God in heaven, when will it ever stop?'''). As Russia erupts in panic, Jake learns that the meltdown covered up the theft from the site of several warheads that were then sold to Saddam Hussein. After Jake confers with Yeltsin, the admiral and Toad's pilot-wife take to the skies to bomb the reactor's remaining missiles, shooting down renegade KGB jets in the process. Jake then exposes the CIA cabal and retrieves the stolen warheads through a raid on Iraq—where both the outlaw KGB leader and Saddam himself make a big mistake by getting in Jake's way. Coonts's plots are getting as overcomplicated as Tom Clancy's, but his flying-and-fighting scenes are as exciting as ever. Chalk up another red, white, and blue ace for the author and his jet- jockeys.

Pub Date: June 1, 1993

ISBN: 0-671-74887-4

Page Count: 416

Publisher: Pocket

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1993

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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