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THE TRAITOR

The Coonts method (Liars & Thieves, 2004, etc.) has always been slam-bang, seek-your-George-Smileys-elsewhere, but here...

The G-8 schedules a sit down, al-Qaeda vows a blow-up and once again, the would-be Batman (Jake Grafton) and Robin (Tommy Carmellini) come to the aid of their country.

Paris, one of the loveliest cities in the world, is where something ugly will soon be happening—at least it will if certain ill-intentioned jihadists have their way. In its sights, al-Qaeda, making no secret of its brutal and bloody intent, has the prime ministers of Great Britain and Japan, the Chancellor of Germany, the president of France and, gulp, POTUS. It follows that in D.C. the security wonks are getting antsy. Out of retirement comes intrepid, and damn-near-indestructible Rear Admiral Jake Grafton, charged anew with saving the nation. With him is his scampish young sidekick Tommy Carmellini, who did a little saving of his own the last time the two hooked up. Tommy, however, appears something other than his eager-to-rumble self. Down-time—or, a period when no one is shooting at him—has its obvious upside. But the matter is presented starkly: It’s either Paris or Iraq. In France, as events march apace, there will be times when both heroes will question the validity of their choices. To begin with, an ex-girlfriend with a grudge complicates life for Tommy. An enigmatic opposite number in the French intelligence service makes the usually unflappable Jake a touch less certain than he should be about his ability to protect the president once on foreign soil. As conference day approaches, the prevailing spook mode shifts from cloak to dagger, and suddenly the guys they thought were watching their backs are aiming at them.

The Coonts method (Liars & Thieves, 2004, etc.) has always been slam-bang, seek-your-George-Smileys-elsewhere, but here the action seems forced, and gratuitous, leaving the storytelling punchless.

Pub Date: July 6, 2006

ISBN: 0-312-32359-X

Page Count: 384

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 15, 2006

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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