The Pulitzer and National Book Award winner considers the enduring appeal and manifold interpretations of the biblical account of the first humans’ expulsion from paradise.
“How does something made-up become so compellingly real?” asks Greenblatt (Humanities/Harvard Univ.; The Swerve: How the World Became Modern, 2011, etc.), positioning himself as a secular-minded admirer of a story that religious thinkers for millennia have struggled to fit within a coherent theological framework. The author notes that this tale of humanity’s origins was uncomfortably reminiscent for many early Christians of the pagan creation myths they scorned as absurd: the talking snake, the arbitrary deity, all those animals named in one day, etc. Some, like the Alexandrian scholar Origen Adamantius, tried to frame the story as an allegory about the evolution of the soul, but the interpretation that triumphed was that of St. Augustine, who insisted that the story of Adam and Eve was literally true. From that assertion flowed the concept of original sin, the denigration of sex, and the powerful strain of misogyny (it was all Eve’s fault) that characterized the Catholic Church for centuries. During the Renaissance—Greenblatt’s focus as a scholar and the subject of this book’s best pages—artists like Albrecht Dürer and writers such as John Milton sought to give the rebellious couple of Genesis a palpable human reality in images and literature, most thrillingly in Milton’s great epic Paradise Lost. When Greenblatt moves on to the challenges to belief in the literal truth of the Bible posed by Enlightenment philosophers and 19th-century scientists (culminating with Darwin’s The Origin of Species), his narrative speeds up and loses focus. The author seems to be making an argument for the enduring power of stories while decrying fundamentalism, but his point isn’t clear, and a final chapter positing a chimpanzee pair in Uganda as a present-day Adam and Eve is simply odd.
Many fine passages charged with Greenblatt’s passion and talent for storytelling can’t disguise the fact that he’s not quite sure what story he’s trying to tell here.Pub Date: Sept. 12, 2017
ISBN: 978-0-393-24080-1
Page Count: 400
Publisher: Norton
Review Posted Online: April 29, 2017
Kirkus Reviews Issue: May 15, 2017
Categories: HISTORY | WORLD | GENERAL HISTORY
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Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
Categories: BIOGRAPHY & MEMOIR | HOLOCAUST | HISTORY | GENERAL BIOGRAPHY & MEMOIR | GENERAL HISTORY
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A master storyteller’s character-driven account of a storied year in the American Revolution.
Against world systems, economic determinist and other external-cause schools of historical thought, McCullough (John Adams, 2001, etc.) has an old-fashioned fondness for the great- (and not-so-great) man tradition, which may not have much explanatory power but almost always yields better-written books. McCullough opens with a courteous nod to the customary villain in the story of American independence, George III, who turns out to be a pleasant and artistically inclined fellow who relied on poor advice; his Westmoreland, for instance, was a British general named Grant who boasted that with 5,000 soldiers he “could march from one end of the American continent to the other.” Other British officers agitated for peace, even as George wondered why Americans would not understand that to be a British subject was to be free by definition. Against these men stood arrayed a rebel army that was, at the least, unimpressive; McCullough observes that New Englanders, for instance, considered washing clothes to be women’s work and so wore filthy clothes until they rotted, with the result that Burgoyne and company had a point in thinking the Continentals a bunch of ragamuffins. The Americans’ military fortunes were none too good for much of 1776, the year of the Declaration; at the slowly unfolding battle for control over New York, George Washington was moved to despair at the sight of sometimes drunk soldiers running from the enemy and of their officers “who, instead of attending to their duty, had stood gazing like bumpkins” at the spectacle. For a man such as Washington, to be a laughingstock was the supreme insult, but the British were driven by other motives than to irritate the general—not least of them reluctance to give up a rich, fertile and beautiful land that, McCullough notes, was providing the world’s highest standard of living in 1776.
Thus the second most costly war in American history, whose “outcome seemed little short of a miracle.” A sterling account.Pub Date: June 1, 2005
ISBN: 0-7432-2671-2
Page Count: 656
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2005
Categories: GENERAL HISTORY | UNITED STATES | HISTORY
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