A kindhearted, engaging story of helping modern immigrant children via a 400-year-old classic text.
The story of an after-school program that helps immigrant children adjust to their new American life.
What does reading and translating Don Quixote, published in the early 17th century, have to do with modern-day life for immigrant children in Bushwick, Brooklyn? Quite a lot, according to Haff, a theater director and former high school English teacher, who set up Still Waters in a Storm for children of undocumented immigrants. As he writes, the author chose Cervantes’ work because “that book is everything human—it is funny and tragic and beautiful and disgusting and smart and stupid—and because it was written in Spanish, the native language of my students and their families.” By reading the quirky tale of a man who never gave up his dreams, Haff’s students have found new meaning in their own lives despite the constant fear of deportation amid the current toxic landscape surrounding immigration, an atmosphere inflamed by the current presidential administration. Not only did the students read the book and translate it out loud; they also adapted it into a series of musicals that they wrote. They became Kid Quixotes, acting out their own versions of the story, which they performed in multiple venues. Haff also includes his own story of being an educator suffering from bipolar depression and how this project has positively impacted his life as well. This is a decidedly upbeat book full of compassion and an attentiveness to language, and Haff imparts pertinent lessons regarding truth, hope, thoughtfulness, awareness, friendships, and what it means to be genuine. The narrative also carries the weight of what each child must endure as an immigrant, including racism, distrust, and fear, and shows how they have worked to overcome these obstacles via songs, acting, drawings, and imaginative retellings of their lives.
A kindhearted, engaging story of helping modern immigrant children via a 400-year-old classic text.Pub Date: April 21, 2020
ISBN: 978-0-06-293406-2
Page Count: 304
Publisher: HarperOne
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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