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Vivienne's Blog

The narrator may be unreliable, but the stories she tells, as well as her own, are infinitely appealing.

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Leaton’s debut psychological thriller takes place in the fractured mind of Vivienne Coroth, who, believing herself a descendant of Faeries, may be plotting revenge against her ex-lover and his new wife.

Thanks to a court order, Vivienne can’t get anywhere near her ex, Callum, or his wife, Mary. So Vivienne starts writing a blog for Callum, hiding a password for website access in the pages of a letter she sends him. As far as Vivienne knows, Callum won’t find the password, but he’ll wish he had: Vivienne is regularly watching Mary and the couple’s twin toddler sons at the mall. She snatches one of the boys, Samuel, and spends days telling him about her Faerie family, beginning in the late 18th century—a history she knows because her ancestors’ memories have been passed on to her. But Vivienne has plans for Samuel, involving a powerful spell that she’ll soon cast. Leaton’s novel has great fun toying with perspective; the entire narrative is the blog, as Vivienne posts letters to and from Callum, as well as correspondence from Callum’s lawyers, who strongly suggest she stop writing her ex. Vivienne firmly believes that she’s a Faerie (she looks human but makes it clear she isn’t one), but Leaton avoids confirming the possibility as fact. This results in numerous bizarre, often humorous sequences in which Vivienne, for instance, converses with Samuel who, at a mere 18 months, speaks in adult-sized sentences: “The stuff about the uncles was hardly a lullaby, was it? Oh, sanitise it for me if you must. Just give me the facts about your eponymous ancestress.” There are likewise hilarious reminders of his age (he still plays with blocks), which tend to offset the seriousness of a child having been kidnapped. Vivienne recounts to Samuel a great deal of her background (mostly Faerie but some of her human family, too) and a few of her dreams; these sufficiently mold the woman’s mindset, but they’re also a bit excessive, coming across as a series of only moderately relevant short stories, each with its own title and separate chapter. Leaton steers clear of a definite resolution, leaving readers to question whether the protagonist is insane or mystical. The story leans in one direction near the end before a crackerjack finish.

The narrator may be unreliable, but the stories she tells, as well as her own, are infinitely appealing.

Pub Date: Sept. 9, 2014

ISBN: 978-1496012401

Page Count: 384

Publisher: CreateSpace

Review Posted Online: Oct. 28, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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