Even a kid as feisty and ingratiating as Harri can overstay his welcome. A pity, because brief snatches of his embryonic...
A charming narrative voice energizes this lively first novel, which has brought enthusiastic reviews, healthy sales and a movie contract to its young British author.
Eleven-year-old Harrison (“Harri”) Opuku has migrated with his mother and older sister Lydia from Ghana (where his father, baby brother and grandmother remain) to a “council estate” (i.e., public housing in a tower block) in the south of London. Gangs of teenagers from neighborhood estates prowl the violent streets, but Harri responds to their threats by joining forces with a friend (Jordan) as “detectives” resolved to find those responsible for the fatal stabbing of another boy. Kelman quickly gives the reader emotional identification with Harri, who is mischievous (he loves tormenting the huffy, whiny Lydia), a romantic goof (who hopes against hope that his blond schoolmate Poppy will acknowledge his existence), energetic (he’s locally renowned for his speed) and a verbal athlete who speaks in a lively multilingual argot festooned with vivid, funny locutions. When he solemnly grouses, “In England there’s a hell of different words for everything," or pronounces everything along the spectrum that runs from delightful to alarming “hutious,” there’s just no resisting the kid. Unhappily, even though the aforementioned slaying (based on the true story of the 2000 murder of a Nigerian boy) is given central stage early on, the story is depressingly underplotted and really isn’t much of a novel. Its title also refers (too coyly) to the pigeon that lands on Harri’s window ledge, which becomes a kind of protector and exemplar, clumsily signifying both freedom and flight. And when, late in the book, the bird itself swoops in to share the narrative, we sense how desperate Kelman is to fill up pages.
Even a kid as feisty and ingratiating as Harri can overstay his welcome. A pity, because brief snatches of his embryonic wit, street smarts and survival instincts are about as hutious as it gets.Pub Date: July 19, 2011
ISBN: 978-0-547-50060-7
Page Count: 288
Publisher: Houghton Mifflin Harcourt
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
