Leaving Viking for the storied literary patina of Scribner, current or not, King seemingly strives on the page for a less vulgar gloss. And he eases from horror into romantic suspense, while adding dollops of the supernatural. The probable model: structural echoes of Daphne du Maurier’s Rebecca do sound forth, although King never writes one paragraph herein to match du Maurier’s opening moonscapes of Manderley. What comes through nevertheless is a strong pull to upgrade his style and storytelling in this his 50th year. Yes, he actually does write better if with less energy and power than in Desperation (1996). In fact, attacking the race problem in lily-white Maine, he even assumes an almost Dreiserian seriousness in his final paragraphs. Well, the story: romantic-suspense novelist Michael Noonan, who summers in Castle Rock on Dark Score Lake, falls into a four-year writer’s block when his wife Johanna dies of a brain blowout. Now 40 and childless, Mike has salted away four extra novel manuscripts in his safe-deposit box, one of them 11 years old (shades of Richard Bachman!), and keeps up a pretense of productivity by publishing a “new” novel each year. Meanwhile, he finds himself falling for Mattie Devore, a widowed mother half his age. Mattie’s late husband is the son of still-thriving half-billionaire computer king Max Devore, 85 years old and monstrous, who plans to gain possession of Mattie’s three-year-old daughter, the banally drawn Kyra. Mike’s first big question: Did Johanna cuckold him during his long hours writing? If so, will her character reverse our understanding of her, as does Rebecca de Winter’s? And how can he help Mattie fight off Max and keep Kyra? The supernatural elements, largely reserved for the interracial climax, are Standard King but fairly mild. Philosophically limited but a promising artistic shift for a writer who tried something like this with 1995’s failure, Rose Madder.
Pub Date: Sept. 22, 1998
ISBN: 0-684-85350-7
Page Count: 529
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1998
Meddling? Middling. A pleasing enough confection, but no great advance for either pop culture or the author’s development.
Barcelona-based novelist Cantero (The Supernatural Enhancements, 2014) returns with a lightly spun yarn steeped in decades-old American pop media.
The members of the Blyton Summer Detective Club, who last adjourned in 1977 after sleuthing around the improbably named Zoinx River Valley in search of supernatural beings, have got the band back together a decade and a half later—well, with all but one of their number, who has inconveniently died. But are the dead ever dead? No, of course not. Of the original crew, Andy has turned into a butch, spiky young woman seemingly bucking for a dragon tattoo to call her own. Nate, “pale, blue-eyed, more worn but still fragile,” let the ghosts get to him and has been in and out of mental institutions. Kerri has visions, too, but mostly ones brought on after one too many hits off the bottle. And there’s a telepathic dog, too, that just may be living proof of metempsychosis. (“Please do not feel deceived: he has been your dog all this time. I just ride along.”) If all this smacks of Scooby-Doo, then that’s by design, though it’s not the only mass-media allusion: glimmers of The Haunting, Dark Shadows, the Witch Mountain franchise, Halloween, and Tales from the Crypt dance above the swamp. There’s even a satisfying explanation for “why bad guys charge at Jackie Chan in a single row,” albeit the bad guys in question are your garden-variety hell beasts, “drooling, hissing, claw-waving creatures.” Undergods, Thtaggoalites, uber-demons, six-limbed monsters: whatever the other side can throw at our gumshoes they deal with handily if cartoonishly. Cantero is a lively, capable writer, but this isn’t much of a stretch for him; he seems determined to occupy the middlebrow midrange, turning in a piece better fitting an episode of The Librarians than, say, a spooky exercise by Guillermo del Toro.
Meddling? Middling. A pleasing enough confection, but no great advance for either pop culture or the author’s development.Pub Date: July 11, 2017
ISBN: 978-0-385-54199-2
Page Count: 336
Publisher: Doubleday
Review Posted Online: April 17, 2017
Kirkus Reviews Issue: May 1, 2017
BOOK REVIEW
Too much wide-eyed sentimentality; not enough creepy malevolence.
A city couple trades their fast-paced lifestyle for rural Vermont, running headlong into a few ghosts along the way.
When her father dies, Helen convinces her husband, Nate, that they should quit their jobs and move to the country to live simpler, more self-sustaining lives. So they buy a plot of land outside a small town and begin building their dream house. Despite the unfriendly reactions of suspicious townspeople, Helen feel like she’s found a true home—but someone else already calls this land home. Nearly a century before, Hattie Breckenridge was hanged here for practicing witchcraft; her daughter, Jane, disappeared the same day and was never seen again. When Helen starts finding artifacts that all have some connection to the Breckenridge family, she also, not coincidentally, begins to see their ghosts. Meanwhile, Nate spends more and more time chasing an elusive white deer. As Helen bonds with Olive, a local teenager who has lost her mother, and learns more and more of the Breckenridge history, she realizes that the ghosts are there with a message, though perhaps they want something even more. The setup is familiar—secretive small-town residents with their own painful history resent the influence of outsiders—and the early part of the novel lays the foundation for a successful ghost story. Hattie has good reason to want revenge on the town, and maybe Helen will be her conduit. As McMahon's (Burntown, 2017, etc.) novel develops, though, the haunting atmosphere dissipates. The ghosts hardly constitute a presence once Olive’s story becomes the driving force for the plot. Of course the ghosts are merely window dressing in the end; it’s us humans who are really scary. (Who knew?)
Too much wide-eyed sentimentality; not enough creepy malevolence.Pub Date: April 30, 2019
ISBN: 978-0-385-54138-1
Page Count: 368
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
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