Crave chills and thrills but don’t have time for a King epic? This will do the job before bedtime. Not that you’ll sleep.
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Horrormeister King follows a boy’s journey from childhood to adolescence among the dead—and their even creepier living counterparts.
Jamie Conklin sees dead people. Not for very long—they fade away after a week or so—but during that time he can talk to them, ask them questions, and compel them to answer truthfully. His uncanny gift at first seems utterly unrelated to his mother Tia’s work as a literary agent, but the links become disturbingly clear when her star client, Regis Thomas, dies shortly after starting work on the newest entry in his bestselling Roanoke Saga, and Tia and her lover, NYPD Detective Liz Dutton, drive Jamie out to Cobblestone Cottage to encourage the late author to dictate an outline of his latest page-turner so that Tia, who’s fallen on hard times, can write it in his name instead of returning his advance and her cut. Now that she’s seen what Jamie can do, Liz takes it on herself to arrange an interview in which Jamie will ask Kenneth Therriault, a serial bomber who’s just killed himself, where he’s stowed his latest explosive device before it can explode posthumously. His post-mortem encounter with Therriault exacts a high price on Jamie, who now finds himself more haunted than ever, though he never gives up on the everyday experiences in which King roots all his nightmares.
Crave chills and thrills but don’t have time for a King epic? This will do the job before bedtime. Not that you’ll sleep.Pub Date: March 2, 2021
ISBN: 978-1-7890-9649-1
Page Count: 256
Publisher: Hard Case Crime
Review Posted Online: Dec. 26, 2020
Kirkus Reviews Issue: Jan. 15, 2021
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Memo to fans who’ve longed for Windsor Horne Lockwood III, the moneyed, omnicompetent buddy of sports agent Myron Bolitar, to snag a starring role of his own: Beware what you wish for.
Nothing would connect privileged Win with the murder of the reclusive tenant of an exclusive Upper West Side building if the police hadn’t found a painting inside Ry Strauss’ apartment—a Vermeer belonging to Win’s family that was stolen long ago while on loan to Haverford College—along with a monogrammed suitcase belonging to Win himself. The two discoveries tie Win not only to the murder, but to the Jane Street Six, a group of student activists Strauss led even longer ago. The Six’s most notoriously subversive action, the bombing of an empty building in 1973, left several innocents accidentally dead and the law determined to track down the perps. But except for Vanessa Hogan, whom Billy Rowan tearfully visited soon after the bombing to beg her forgiveness for his role in bringing about the death of her son, no one’s seen hide nor hair of the Six ever since. The roots of the outrage go even deeper for Win, whose uncle, Aldrich Powers Lockwood, was killed and whose cousin, Patricia, to whom he’d given that suitcase, was one of 10 women kidnapped, imprisoned, and raped in an unsolved crime. These meaty complications are duly unfolded, and gobs of cash thrown at them, by the ludicrously preening, self-infatuated Win, who announces, “It’s good to be me,” and “I can be charming when I want to be.” As if.
Densely plotted and replete with incident if you can overlook the insufferable narrator.Pub Date: March 16, 2021
ISBN: 978-1-5387-4821-3
Page Count: 384
Publisher: Grand Central Publishing
Review Posted Online: Dec. 15, 2020
Kirkus Reviews Issue: Jan. 1, 2021
Categories: THRILLER | SUSPENSE | CRIME & LEGAL THRILLER | GENERAL THRILLER & SUSPENSE
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A poignant and lyrical novel that asks what is worth sacrificing for peace—and provides some answers.
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Berry delivers a taut and compassionate thriller as young mother Tessa is drawn into working as a double agent in the Irish Republican Army to protect her sister.
It's been years since the Good Friday Agreement was signed, but tensions in Northern Ireland remain at a constant simmer. Tessa moves through the simple motions of her life: taking care of her infant son, working at the BBC News Belfast bureau, spending time with her mother and sister. The physical isolation and beauty of her home village hint at the possibility of a world in which one doesn’t always have to be alert for terrorists; Tessa is old enough, however, to remember the Troubles, and she fears that the IRA will never truly surrender. Still, it comes as a shock at work one day when she sees a video of her sister participating in an IRA robbery. But even more shocking is the revelation that comes from Marian herself once she is able to reach out to Tessa: She's been a member of the IRA for seven years, drawn in by their talk about economic inequality, and has recently begun feeding information to MI5 in order to create space for peace talks. After a bomb she created for the IRA failed to blow up, though, she's under constant surveillance and can no longer meet with her British handler. And so Tessa joins her sister as a double agent: She's accepted by Marian’s crew and asked to do increasingly dangerous tasks for the IRA, which she then reports to her handler. Days of espionage are balanced by quiet moments with her son as Tessa comes to realize that putting herself in danger is justified, even necessary, if she wants him to grow up in a safer Ireland. Berry's use of short chapters, often divided into several smaller episodes, is particularly effective in reflecting Tessa's fragmented sense of loyalty and safety. This is not a book of action, though there is plenty, but instead a greater reflection on personal choice and consequence.
A poignant and lyrical novel that asks what is worth sacrificing for peace—and provides some answers.Pub Date: April 6, 2021
ISBN: 978-0-73-522499-5
Page Count: 288
Publisher: Viking
Review Posted Online: Jan. 13, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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