King's 30th novel (Insomnia, 1994, etc.) gets off to a careful, grand start but quickly turns to a half-pound of story to five pounds of stuffing, or tedium triumphant. Still, this one may find King hitting the ball not just out of the park but around the globe. After 14 years of marriage to biter and wife-beater Detective Norman Daniels, Rose McLendon Daniels steals her husband's ATM card and runs off to another city. But Daniels's job is finding people, and as a biter he's even more bent than the wife-beating police-chief in Nelson DeMille's Spencerville; like his, Daniels's verbal rage allows no range to monolithic villainy. In a far-away hockshop, Rose trades her engagement ring for a mystery-ridden painting of a woman in a crimson (rose-madder) chiton with her back to the viewer (one thinks of Wyeth's Christina's World), which she hangs in a new apartment found for her by the Daughters and Sisters, a battered women's group. She also falls for softspoken Bill Steiner, the shop's young pawn-dealer, who courts her on his motorcycle and opens her to new worlds. Rose also finds new worlds as a Liz Taylor-sound-alike reader for audiobooks, and in her painting, which magically allows her to enter its dense detail. We follow Daniels's course as he unearths clue after clue and bites several straw figures to death in warm-ups for his first big bite out of Rose. When it comes, Rose discovers that an armlet worn by the figure of Rose Madder in the painting has given her left arm the strength of Wonder Woman. Even so, she and Bill race through moonlight into the painting, while Daniels, as enraged as a bull, chases after them.... Magic against wife-beating — sounds attractive? But as events thin out, what's left are pages and pages of dull, falsely pitched lowbrow dialogue, abuse, biting, symbolic fantasy, and feminist tub-thumping. Overwhelmingly uninventive — and if Liz Taylor does the audiobook, believe in miracles.
Pub Date: July 10, 1995
ISBN: 0-670-85869-2
Page Count: 416
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1995
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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