A lucid history of the Jewish experience after World War II, but unsatisfying as a fictional tale of real people in the...
In this historically panoramic drama, the horror of the holocaust permanently binds and alters the lives of two German boys.
Leo Bergner is a young Jewish boy whose otherwise quiet middle-class upbringing is ruptured by the rise of the Third Reich. After fleeing his native Germany in order to escape the persecution that envelops his parents, Leo matures into a committed Zionist, becoming a British officer to defend Israel against its anti-Semitic adversaries, Nazi and Arab alike. Leo’s childhood piano teacher, Bruno Franzmann, follows a different trajectory: He works for the Nazis as an administrator at a concentration camp. A wave of consequence washes over all who sided with the Fuhrer when it becomes clear that Allied Powers will prevail, so Bruno decamps for Buenos Aires. There he hopes to begin a criminal enterprise centered on bribing former Nazis bent on concealing their identities. The narrative leads the reader to the final crescendo, their reunion: Now a well-heeled banker, Leo discovers a vast financial conspiracy that facilitated the looting of Jewish property during the war, which draws him into Bruno’s nefarious dealings. Maitland-Lewis’ tale is scrupulously researched, saturated with rich historical detail. His account often deftly depicts both the gradual unfurling of Nazi atrocities and the psychological trauma thrust upon so many Jews as a result. While Leo struggles with the pathos of a fractured identity—his German nationality pitted against his Jewish religion—Bruno abandons all sense of allegiance to his own narrowly conceived self-interest. Problematically, such an ambitious psychodrama requires deeply textured characters and a nuanced exploration of their motives, which Maitland-Lewis doesn’t fully offer. A few developments don’t add up—Bruno’s growth from a morally divested Nazi collaborator to anti-Nazi compatriot or hardnosed Leo’s sympathy for him. The story seems to be designed as a moral parable, but the lesson isn’t quite clear.
A lucid history of the Jewish experience after World War II, but unsatisfying as a fictional tale of real people in the throes of moral crisis.Pub Date: Nov. 30, 2011
ISBN: 78-0983259633
Page Count: 334
Publisher: Glyd-Evans Press
Review Posted Online: March 5, 2012
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
SEEN & HEARD
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