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CATBIRD

The resolution is a tad facile, but March’s likable first novel is unerringly true in its evocation of Southern mores.

The breakup of his marriage forces a young Southerner to reach back into his family’s past to salvage his identity.

It was all looking so good for Zeb Dupree, eldest son of a North Carolina sharecropper. First in the family to go to college, let alone graduate; the marriage to an influential preacher’s daughter he had thought unattainable; the plum job as editor of a suburban New Orleans paper; the split-level home. Then came the phone call: His father had killed himself. Zeb took the news so hard that he started drinking heavily, lost his job and his wife, Roseanne. We first meet Zeb as he’s returning to his old college town, Cedar Springs in the Piedmont, looking for a band to play with (he’s a fiddler). But the world has moved on. It’s the ’70s now, the hippies are gone, and rock has replaced country. Zeb must settle for washing dishes and painting condos. To his chagrin, his younger brothers L.C. and Merle are now doing better materially than he is, though L.C., a Vietnam vet, is suffering from post-traumatic stress syndrome. March’s crisply written story weaves in and out of the past. Zeb begins a tentative relationship with a new girlfriend, but he must deal with his father’s suicide before he can move ahead again. Lavis had had a bitterly pessimistic view of life, ever since his brother had cheated him out of his share of the family farm. After that, working another man’s land, Lavis had always feared he would be evicted. Had Lavis resented Zeb’s early success? Zeb must forgive his father before he can become whole again. And then it comes to him: He must buy back the damaged family farm and rebuild his life even as he literally rebuilds the “homeplace.”

The resolution is a tad facile, but March’s likable first novel is unerringly true in its evocation of Southern mores.

Pub Date: March 1, 2006

ISBN: 1-57962-126-0

Page Count: 202

Publisher: Permanent Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2006

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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