A gin and tonic for the soul.
When midlife woes descend, a long-divorced couple find their paths merging again.
Many years ago, David Hedges and Julie Fiske had a short, sweet marriage. Then she lost a baby and he realized he was gay, and they parted ways. Now they haven't seen each other in almost 30 years. For much of that time, Julie's been married to her second husband, Henry, and raising their daughter, Mandy, in Beauport, a tourist town on the New England coast. But not only has Henry left her for another woman, he's now planning to sell their big, rambling Victorian out from under her. She needs that house: her sole means of support is her none-too-successful Airbnb. Then her surly teenage daughter goes digging in the basement and learns for the first time of her mother's earlier marriage, beginning the chain of events that leads to David and Julie's reunion. David is now a successful college admissions consultant in San Francisco, but his life has also hit a rough patch. His boyfriend has left him, he's put on weight, and it looks like he's about to be evicted from his apartment. When Julie reaches out in her hour of need, he decides to shelve his problems for a while and fly across the country to work on hers, which are quite a bit worse than she's aware of. As always, McCauley's (Insignificant Others, 2010, etc.) effervescent prose is full of wit and wisdom on every topic—college application essays, Airbnb operation, weed addiction, live porn websites, and, most of all, people. "When everything looks perfectly right about a person, there's usually something significantly wrong." "All couples start off as Romeo and Juliet and end up as Laurel and Hardy."
A gin and tonic for the soul.Pub Date: May 8, 2018
ISBN: 978-1-250-12243-8
Page Count: 336
Publisher: Flatiron Books
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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