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YOU ONLY CALL WHEN YOU'RE IN TROUBLE

As the characters blunder about, the narrator is perfectly on his game.

Another chronicle of modern disappointments and their occasional consolations from a master of the modern social novel.

There are four main characters in McCauley's latest: Cecily, an academic embroiled in an investigation at her university; Tom, her gay architect uncle, also facing career trouble; Dorothy, Cecily's ditsy mom; and the town of Woodstock, in which Dorothy is about to open a retreat center with a self-help author, a rather horrible person, natch. McCauley's descriptive gifts shine in his evocations of Woodstock, where "almost every storefront along the main street was decorated with wind chimes, prayer flags, colorful pennants, or loose, billowing clothes for sale" and "in the middle of the tiny town green…was a drum circle and a group of gray-haired people in unstructured cotton pants doing what looked like interpretive dance." His story, in which Cecily and Tom make a pilgrimage to the opening of Dorothy's "more intimate, more affordable Omega Institute” and which revolves, per his usual, around secrets in the characters' lives, gives him plenty of opportunities to do what he does best, which is make pronouncements. "No one can do 'whatever they want to do,' and probably no one should," he plangently informs us. "When someone starts by telling you you can do 'whatever you want,' they end up forcing you to do what they tell you." That seems reasonable, but the author also delights in less defensible assertions. "Academia was the one institution it was always safe to insult, no matter what the political persuasion of the person you were talking to. Like capers, it was universally disliked." The emotional heart of the story is the profound devotion Tom feels for his niece, which at the opening of the book has caused his longtime partner to throw up his hands and move out. Even if we never quite believe this, and even if some other plotlines are also a little hokey, you don't have to care much about plot to enjoy a McCauley novel.

As the characters blunder about, the narrator is perfectly on his game.

Pub Date: Jan. 9, 2024

ISBN: 9781250296795

Page Count: 336

Publisher: Henry Holt

Review Posted Online: Oct. 7, 2023

Kirkus Reviews Issue: Nov. 1, 2023

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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