by Stephen McCauley ‧ RELEASE DATE: June 1, 2001
Very entertaining, and McCauley digs a lot deeper than most authors of popular fiction.
An assortment of gay and straight characters uneasily assess their relationships with long-term partners, in McCauley’s tart-but-sweet fourth novel (The Man of the House, 1996, etc.).
Jane Cody makes lists in code, trying to hide from her devoted but dull second husband, Tom, the fact that she takes their weirdly adult six-year-old son, Gerald, to a shrink and has recently resumed seeing her own psychiatrist. But she’s so burned out from her job producing a Boston public TV show, shadowed by an ambitious, gorgeous young subordinate, that she forgets what the code is. Meanwhile, Desmond Sullivan grapples with ambivalent feelings about his longtime companion, Russell (who sells 1980s memorabilia in a shop on New York’s Lower East Side), and frets over his lack of progress on a biography of obscure pop singer Pauline Anderton. So Desmond takes a semester’s appointment at the college where Tom teaches, and his work inspires Jane to pitch a documentary series on “the true cultural influences: forgotten mediocrities.” She comes up with the idea to impress her philandering ex-husband, Dale, with whom she’s once again sleeping, but it also looks like a good way to pep up her career, and Desmond latches onto it as insurance in case his book contract gets canceled (his editor’s taking permanent maternity leave, and no one else is very interested). McCauley casts his customarily sharp eye on the romantic and professional contortions of Jane, Desmond, and the brilliantly etched supporting cast, most notably the fascinatingly ambiguous Rosemary, whose bestselling memoir, Dead Husband, raises intriguing questions about sincerity and truthfulness in writing. It takes a while to warm up to the intensely neurotic characters, but most readers will be propelled by McCauley’s storytelling and razor-sharp observations to a surprisingly warmhearted conclusion that undercuts its own sentimentality with the lurking suggestion that “something that’s true enough” may be as useful as the “essential truth” Desmond seeks in his biography. (P.S.: He finds it.)
Very entertaining, and McCauley digs a lot deeper than most authors of popular fiction.Pub Date: June 1, 2001
ISBN: 0-684-81054-9
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2001
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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