by Stephen Menick ‧ RELEASE DATE: Sept. 1, 1998
In a first novel set “in a country in the Balkans,” an 11-year-old girl suffers the loss of her parents, then lives through a series of brutal events. After her parents are swept away by a flooded bridge, Tanya tells herself that they will come back, and begins to bake muffins from her mother’s recipe. Her efforts bring appreciative neighbors, then paying customers, then outlandishly jealous women from the village, who, Menick implies, think that their husbands are visiting Tanya too often. She trusts no one; when friendly Pavel suggests that the gypsies have ruined her orchard, digging for buried money, Tanya knows that he is the one who has made the holes, damaging tree roots. She is under siege, real and emotional, for as she accepts that her parents are dead, she must face those who covet her farm and home. A knife-sharpener, Anton, is her only friend, but he “borrows” the village idiot, hoping that angry villagers will think the gypsies are behind the boy’s disappearance, and murder them. With stiff dialogue and grotesque events—the bloody decapitation of a chicken, a barn-burning, the sharpener’s attempted murder of Tanya, and his own gory death, a description of gangrene and amputation—driving the story more than character or plotting, this novel never meshes. It opens as a compelling and unusual story of a strongly delineated child survivor, then loses force as people’s actions become staged and unbelievable. (Fiction. 10-14)
Pub Date: Sept. 1, 1998
ISBN: 0-399-23303-2
Page Count: 208
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1998
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by Jerry Craft ; illustrated by Jerry Craft with color by Jim Callahan ‧ RELEASE DATE: Feb. 5, 2019
An engrossing, humorous, and vitally important graphic novel that should be required reading in every middle school in...
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Jordan Banks takes readers down the rabbit hole and into his mostly white prep school in this heartbreakingly accurate middle-grade tale of race, class, microaggressions, and the quest for self-identity.
He may be the new kid, but as an African-American boy from Washington Heights, that stigma entails so much more than getting lost on the way to homeroom. Riverdale Academy Day School, located at the opposite end of Manhattan, is a world away, and Jordan finds himself a stranger in a foreign land, where pink clothing is called salmon, white administrators mistake a veteran African-American teacher for the football coach, and white classmates ape African-American Vernacular English to make themselves sound cool. Jordan’s a gifted artist, and his drawings blend with the narrative to give readers a full sense of his two worlds and his methods of coping with existing in between. Craft skillfully employs the graphic-novel format to its full advantage, giving his readers a delightful and authentic cast of characters who, along with New York itself, pop off the page with vibrancy and nuance. Shrinking Jordan to ant-sized proportions upon his entering the school cafeteria, for instance, transforms the lunchroom into a grotesque Wonderland in which his lack of social standing becomes visually arresting and viscerally uncomfortable.
An engrossing, humorous, and vitally important graphic novel that should be required reading in every middle school in America. (Graphic fiction. 10-14)Pub Date: Feb. 5, 2019
ISBN: 978-0-06-269120-0
Page Count: 256
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
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by Kwame Alexander & Jerry Craft ; illustrated by Jerry Craft
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by Jerry Craft ; illustrated by Jerry Craft
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by Jerry Craft ; illustrated by Jerry Craft
by Clare Vanderpool ‧ RELEASE DATE: Jan. 8, 2013
Navigating this stunning novel requires thought and concentration, but it’s well worth the effort.
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Returning to themes she explored so affectingly in Moon Over Manifest (2011), Newbery Medalist Vanderpool delivers another winning picaresque about memories, personal journeys, interconnectedness—and the power of stories.
Thirteen-year-old Jack enters boarding school in Maine after his mother’s death at the end of World War II. He quickly befriends Early Auden, a savant whose extraordinary facility with numbers allows him to “read” a story about “Pi” from the infinite series of digits that follow 3.14. Jack accompanies Early in one of the school crew team’s rowing boats on what Jack believes is his friend’s fruitless quest to find a great bear allegedly roaming the wilderness—and Early’s brother, a legendary figure reportedly killed in battle. En route, Early spins out Pi’s evolving saga, and the boys encounter memorable individuals and adventures that uncannily parallel those in the stories. Vanderpool ties all these details, characters, and Jack’s growing maturity and self-awareness together masterfully and poignantly, though humor and excitement leaven the weighty issues the author and Jack frequently pose. Some exploits may strain credulity; Jack’s self-awareness often seems beyond his years, and there are coincidences that may seem too convenient. It’s all of a piece with Vanderpool’s craftsmanship. Her tapestry is woven and finished off seamlessly. The ending is very moving, and there’s a lovely, last-page surprise that Jack doesn’t know but that readers will have been tipped off about.
Navigating this stunning novel requires thought and concentration, but it’s well worth the effort. (author’s note, with questions and answers, list of resources) (Historical fiction. 10-14)Pub Date: Jan. 8, 2013
ISBN: 978-0-385-74209-2
Page Count: 320
Publisher: Delacorte
Review Posted Online: Oct. 30, 2012
Kirkus Reviews Issue: Nov. 15, 2012
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