A thoughtful, well-written work that breathes new life into past personalities and events.
In Shender’s debut historical novel, an 18th- and 19th-century Hawaiian ruler unites the island’s people through war, diplomacy, and intrigue in the years before, during, and after the arrival of European explorers.
Benjamin Namakeha, a contemporary of Kamehameha I (circa 1736-1819), tells of the events of the story after the fact, with the perspective of age and in the very different culture of mid-19th-century Hawaii. When Kamehameha was a youth, Namakeha says, he exceled at training in the arts of war; he gained strength and sharpened his wits, which served him well when navigating court intrigue, including multiple attempts to poison him. As Shender traces the Hawaiian hero’s life, he seamlessly integrates Hawaiian words, making the language easy for readers to pick up while also adding realism and flavor: “The older boy hurled the insult at Kamehameha like a short ihe spear.” In 1778, British captain James Cook lands in Hawaii; his arrival coincides with the foretold return of the god Lono. This coincidence, and the new arrivals’ advanced technology, convinces many Hawaiians that the foreigners (or “haoles”) are divine. Kamehameha is skeptical, however, and learns as much as he can about their weaponry, and he uses this knowledge in future battles. Shender’s delightful depictions of the first exchanges between strange cultures are spot-on, as when an interpreter for the British says, “he will pay generously in cloth and iron,” and a Hawaiian asks what iron is: “Ailon’e? What is ailon’e?” Although Cook is killed in a confrontation with islanders, Kamehameha and his people continue their trade with Europeans. In time, Kamehameha consolidates his power, dealing not only with military enemies, but also family problems. The story shows the engaging parallels between Kamehameha’s story and European mythology as well as religious tales. For example, when Kamehameha is born, his mother has a dream that frightens the island’s rulers, who then try to have him killed. Later, in a story that mirrors King Arthur’s, Kamehameha moves the Naha Stone—a deed that prophesies his destiny as ruler. Overall, this novel should gratify historians and general readers alike
A thoughtful, well-written work that breathes new life into past personalities and events.Pub Date: Dec. 12, 2016
ISBN: 978-0-692-77133-4
Page Count: 562
Publisher: Pai'ea Press
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Dec. 1, 2017
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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