In Shender’s debut historical novel, an 18th- and 19th-century Hawaiian ruler unites the island’s people through war, diplomacy, and intrigue in the years before, during, and after the arrival of European explorers.
Benjamin Namakeha, a contemporary of Kamehameha I (circa 1736-1819), tells of the events of the story after the fact, with the perspective of age and in the very different culture of mid-19th-century Hawaii. When Kamehameha was a youth, Namakeha says, he exceled at training in the arts of war; he gained strength and sharpened his wits, which served him well when navigating court intrigue, including multiple attempts to poison him. As Shender traces the Hawaiian hero’s life, he seamlessly integrates Hawaiian words, making the language easy for readers to pick up while also adding realism and flavor: “The older boy hurled the insult at Kamehameha like a short ihe spear.” In 1778, British captain James Cook lands in Hawaii; his arrival coincides with the foretold return of the god Lono. This coincidence, and the new arrivals’ advanced technology, convinces many Hawaiians that the foreigners (or “haoles”) are divine. Kamehameha is skeptical, however, and learns as much as he can about their weaponry, and he uses this knowledge in future battles. Shender’s delightful depictions of the first exchanges between strange cultures are spot-on, as when an interpreter for the British says, “he will pay generously in cloth and iron,” and a Hawaiian asks what iron is: “Ailon’e? What is ailon’e?” Although Cook is killed in a confrontation with islanders, Kamehameha and his people continue their trade with Europeans. In time, Kamehameha consolidates his power, dealing not only with military enemies, but also family problems. The story shows the engaging parallels between Kamehameha’s story and European mythology as well as religious tales. For example, when Kamehameha is born, his mother has a dream that frightens the island’s rulers, who then try to have him killed. Later, in a story that mirrors King Arthur’s, Kamehameha moves the Naha Stone—a deed that prophesies his destiny as ruler. Overall, this novel should gratify historians and general readers alike
A thoughtful, well-written work that breathes new life into past personalities and events.Pub Date: Dec. 12, 2016
ISBN: 978-0-692-77133-4
Page Count: 562
Publisher: Pai'ea Press
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Dec. 1, 2017
Review Program: Kirkus Indie
Categories: HISTORICAL FICTION
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Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
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The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 21, 2019
Kirkus Reviews Issue: Feb. 1, 2019
Categories: LITERARY FICTION | HISTORICAL FICTION
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PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
Black takes time out from chronicling the neighborhood-themed exploits of half-French detective Aimée Leduc to introduce a heroine as American as apple pie.
Kate Rees never expected to see Paris again, especially not under these circumstances. Born and bred in rural Oregon, she earned a scholarship to the Sorbonne, where she met Dafydd, a handsome Welshman who stole her heart. The start of World War II finds the couple stationed in the Orkney Islands, where Kate impresses Alfred Stepney of the War Department with the rifle skills she developed helping her dad and five brothers protect the family’s cattle. After unimaginable tragedy strikes, Stepney recruits Kate for a mission that will allow her to channel her newly ignited rage against the Germans who’ve just invaded France. She’s parachuted into the countryside, where her fluent French should help her blend in. Landing in a field, she hops a milk train to Paris, where she plans to shoot Adolf Hitler as he stands on the steps of Sacre-Coeur. Instead, she kills his admiral and has to flee through the streets of Paris, struggling to hook up with the rescuers who are supposed to extract her. Meanwhile, Gunter Hoffman, a career policeman in a wartime assignment with the Reichssicherheitsdienst security forces, is charged with finding the assassin who dared attempt to kill the Führer. It’s hard to see how it can end well for both the cop and the cowgirl. The heroine’s flight is too episodic to capitalize on Black’s skill at character development, but she’s great at raising readers’ blood pressure.
A killer thriller.Pub Date: April 7, 2020
ISBN: N/A
Page Count: 360
Publisher: Soho Crime
Review Posted Online: May 4, 2020
Kirkus Reviews Issue: May 15, 2020
Categories: CRIME & LEGAL THRILLER | THRILLER | HISTORICAL THRILLER | HISTORICAL FICTION | SUSPENSE
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BOOK REVIEW
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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
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An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 17, 2018
Kirkus Reviews Issue: Aug. 1, 2018
Categories: RELIGIOUS FICTION | HISTORICAL FICTION
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