A light, enjoyable horror story, with just the right amount of creepiness for younger readers.
In this middle-grade novel, a teenage girl may have to rescue her little brother when his Halloween mask takes on a life of its own.
Now that she’s a teen, Laura is forgoing trick-or-treating in favor of this year’s Halloween party with classmates. But Mom insists she take her 7-year-old brother, Trevor, trick-or-treating, as he’s still too young to go alone. The two decide to get masks at a peculiar local shop, which recently opened at the old mall that other stores have abandoned. Doctor Blaack’s Mask Shop is jampacked with masks, and by the time Laura encounters the owner, Trevor has wandered off. She and Blaack finally discover the terrified boy donning a mouse mask that refuses to come off. Though they can’t remove the mask, Blaack assures them it will fall off precisely at midnight tomorrow—Halloween. Luckily, the next day at school is a costume day, so Trevor doesn’t stand out. But the mask not only seems to be growing, it’s also gradually taking over Trevor, talking when it wants and even directing him where it wants to go. And as it turns out, if Trevor isn’t in a specified place by midnight, the mask will stay on his face permanently. Rasnic Tem’s (Ubo, 2017, etc.) horror tale, with shades of R.L. Stine’s The Haunted Mask, is an equal blend of fun and spine-tingling episodes. Blaack, for one, is eccentric but not outright malevolent. He’s also discernible, as he tends to bray his vowels (“That’s quite all ri-ight, my dear”). Much of the humor is understated and doesn’t derail the plot. The school’s costume parade, for example, is amusing but unquestionably chaotic: “Vampires and cowboys and aliens and kitty cats stood around talking and laughing and being just generally loud and way too annoying.” In the same vein, the mask, or “mouse head,” as the narrative eventually dubs it, becomes the book’s tangible villain. Certain traits, like an impossibly long tongue, leave a lasting and unsettling impression.
A light, enjoyable horror story, with just the right amount of creepiness for younger readers.Pub Date: Oct. 9, 2018
ISBN: 978-0-9997736-0-4
Page Count: 222
Publisher: Hex Publishers
Review Posted Online: July 2, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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