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GRASS

An uneven but enjoyable debut that should appeal to faithful thriller aficionados.

Awards & Accolades

Our Verdict

  • Our Verdict
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In Williams’ gritty debut thriller, the lives of drug dealers, organized criminals, political revolutionaries and marketing executives intertwine in spectacular fashion.

In the novel’s opening, the Eighth Precinct police department in the fictional city of Salento is making security preparations for a parade to honor billionaire Russian Pyotr Ptushko. Ptushko successfully smuggled American soldiers out of a dangerous region in South Central Asia, yet his motives are dubious. At the same time, several grow houses operated by ruthless marijuana magnate Otis M. Gaverill are pilfered by a mysterious team of seven men who act with stealth and military precision. Det. Sgt. Sal Mitchell and his partner Eddie “Sandman” Sandovan are the lead investigators in the fallout of the ensuing encounters between the factions. In an adrenalin-fueled subplot, Mitchell’s girlfriend, Mya Laing, a high-level marketing executive at a prestigious advertising firm, is tasked with creating a brilliant yet inexpensive word-of-mouth campaign for a designer jean label. Mya and her team develop an intricate alternate-reality game to garner attention for the brand—a tactic that’s at the forefront of contemporary advertising strategy. This subplot provides entertaining respite from the graphic violence and language in the main storyline, yet readers may wish the two narratives intersect earlier and more completely than they do. Williams also offsets his explicit depictions with well-placed humor that only occasionally leans toward the prosaic. While this may distract some readers, the overall effect, especially in combination with the bright, lively dialogue, is refreshing. There is a well-articulated juxtaposition between the honor and restraint of the military team and the repulsive bloodlust of Otis’ group. Williams’ main characters are engaging, but, with the exception of Otis, they fail to reveal flaws or make mistakes, an omission that challenges believability. Williams leaves unanswered questions and more than hints at a sequel (a sample chapter of his next book is included). Devotees of the genre may conclude that he has provided enough to entice them back into his vivid universe.

An uneven but enjoyable debut that should appeal to faithful thriller aficionados.

Pub Date: July 29, 2011

ISBN: 978-1461044840

Page Count: 458

Publisher: CreateSpace

Review Posted Online: Sept. 20, 2011

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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