An unnerving but memorable tale that leaves myriad lingering questions for a prospective sequel.



A move from the city to a new home in the snowy mountains becomes a fight for survival for an Oregon family in this thriller.

Seventeen years of hard work at the tech company Portland Micro has earned Ken Carroll a sabbatical. For his four months of paid vacation, he and his family move to their newly constructed home on Cedar Mountain. It’s especially taxing for Ken’s wife, Amanda, who will miss her city restaurants and yoga classes. But twin teens Kristi and Reed have an easier time adjusting. Olympic hopeful Kristi excels at nearly every sport, but she has plenty of space in the mountains to focus on cross-country skiing, marksmanship, and fencing. And though nerdish Reed would have preferred staying in public school with proximity to female peers, he has ready access to a cherished online game, “Mythykal.” Unfortunately, a blizzard hits, seemingly stranding Amanda in the storm, while danger lurks for the others at home. Wolves in the area often have their eyes firmly on the human “intruders,” and Reed should probably avoid following the Hispanic girl he continually sees in the nearby woods. An attack of some kind is imminent, forcing the Carrolls into a violent confrontation. Much of Zell’s (Running Cold, 2017, etc.) novel thrives on retaining an aura of mystery. Amanda’s fate, for one, isn’t immediately revealed, and there’s a definite menace in the forest, exemplified by unmistakable leeriness from the family’s chocolate Lab, Dog. The author often works this to great effect; in a chilling scene, Reed spots something in an icy creek that apparently rolls over (presumably for a better look at him). Alternating perspectives expand the narrative, eventually including Cedar locals like the sheriff. The twins, however, are the standouts: Kristi displays her prowess in the feverish denouement while Reed, about halfway through, commits an act that will shatter much reader sympathy. But that’s the story’s essence: shocking turns in abundance and generally disturbing.

An unnerving but memorable tale that leaves myriad lingering questions for a prospective sequel.

Pub Date: June 1, 2017

ISBN: 978-0-9847468-4-2

Page Count: 408

Publisher: Tales From Zell, Incorporated

Review Posted Online: March 6, 2018

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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