by Steven Poole ‧ RELEASE DATE: Nov. 15, 2016
There’s not much that’s new here, but that’s the point. A modest, enjoyable look at the care and feeding of creativity.
When seeking inspiration, Guardian columnist Poole (Unspeak: How Words Become Weapons, How Weapons Become a Message, and How that Message Becomes Reality, 2006, etc.) writes, it’s not a bad idea to sift through the junk pile for second thoughts.
How does inspiration happen, and how can it be leveraged into reality? That question has nourished a stream of self-help, psychology, and business literature on creativity and its capture, including books such as Steven Johnson’s Where Good Ideas Come From (2011) and Daniel Levitin’s The Organized Mind (2014). In this lightly written narrative, Poole looks at a number of case studies that show how actionable new ideas are often reiterations of old ones. For instance, the modern electric car draws on 150-year-old technology, while medical treatments using maggots and leeches stretch back hundreds of years. “The story of human understanding is not a gradual, stately accumulation of facts, a smooth transition from ignorance to knowledge,” he writes. “It’s…a wild roller-coaster ride full of loops and switchbacks.” Those old ideas need not even be good ones, since merely examining them can prompt better ones, and of course not all old ideas are good. In this respect, Poole conjures up the 19th-century craze for big-game hunting and then invites us to consider what happened to the dentist who recently shot a beloved lion. Some of the author’s examples run a little long, as with his extensive discussion of how placebo drugs came into being; still, his extension of the placebo effect into other realms is interesting, as are his musings on the political applications of old ideas such as basic income and governance by peers rather than professional politicians. More than a compendium of anecdotes about the forerunners of the Tesla car or the sideways history of Viagra, Poole’s book is a jog on how to think, closing with exhortations to make a little room for the absurd and to “abandon common sense and bet against the market.”
There’s not much that’s new here, but that’s the point. A modest, enjoyable look at the care and feeding of creativity.Pub Date: Nov. 15, 2016
ISBN: 978-1-5011-4560-5
Page Count: 352
Publisher: Scribner
Review Posted Online: Sept. 21, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by David McCullough ‧ RELEASE DATE: June 1, 2005
Thus the second most costly war in American history, whose “outcome seemed little short of a miracle.” A sterling account.
A master storyteller’s character-driven account of a storied year in the American Revolution.
Against world systems, economic determinist and other external-cause schools of historical thought, McCullough (John Adams, 2001, etc.) has an old-fashioned fondness for the great- (and not-so-great) man tradition, which may not have much explanatory power but almost always yields better-written books. McCullough opens with a courteous nod to the customary villain in the story of American independence, George III, who turns out to be a pleasant and artistically inclined fellow who relied on poor advice; his Westmoreland, for instance, was a British general named Grant who boasted that with 5,000 soldiers he “could march from one end of the American continent to the other.” Other British officers agitated for peace, even as George wondered why Americans would not understand that to be a British subject was to be free by definition. Against these men stood arrayed a rebel army that was, at the least, unimpressive; McCullough observes that New Englanders, for instance, considered washing clothes to be women’s work and so wore filthy clothes until they rotted, with the result that Burgoyne and company had a point in thinking the Continentals a bunch of ragamuffins. The Americans’ military fortunes were none too good for much of 1776, the year of the Declaration; at the slowly unfolding battle for control over New York, George Washington was moved to despair at the sight of sometimes drunk soldiers running from the enemy and of their officers “who, instead of attending to their duty, had stood gazing like bumpkins” at the spectacle. For a man such as Washington, to be a laughingstock was the supreme insult, but the British were driven by other motives than to irritate the general—not least of them reluctance to give up a rich, fertile and beautiful land that, McCullough notes, was providing the world’s highest standard of living in 1776.
Thus the second most costly war in American history, whose “outcome seemed little short of a miracle.” A sterling account.Pub Date: June 1, 2005
ISBN: 0-7432-2671-2
Page Count: 656
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2005
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