KILLING ROMMEL

Brilliant, but not for the Tom Clancy set.

Based on real-life events, Pressfield’s moving novel concerns the daring British and Commonwealth soldiers who challenged German General Erwin Rommel’s desert forces.

The story is narrated by R. Lawrence “Chap” Chapman, a minor player in the dramatic African action of World War II. As a very young British officer, barely out of his teens, the Oxford-educated Chapman was assigned to the Long Range Desert Group (LDRG), a glamorous and much sought-after posting in an outfit prizing resourcefulness and improvisation, qualities essential to surviving LDRG’s ridiculously dangerous assignments. Rommel’s forces in 1942 dominated Northern Africa west of Egypt. The brilliant general had the willing participation of troops, who were in awe both of his tactics and of his almost knightly approach to warfare. His success in Africa was a major obstacle to the Allied Forces who saw the coastline there as the first step to an invasion of Southern Europe. Even more dangerous, were he to take Egypt from the Brits, he would hand the Arabian oil fields to the fuel-starved Axis armies. To save Egypt, the oil fields and prevent an invasion, the Brits, under future Field Marshall Bernard Montgomery, send the units of the LDRG, including the very green Chapman, on a wild mission to kill Rommel and, with him, the German esprit de guerre. The story Pressfield (The Afghan Campaign, 2007, etc.) tells is so rich in details that it is difficult to read without good maps at the elbow, and, given the conceit of a modest man telling the whopping story, it is sometimes slow going. But it’s absolutely worth sticking with for the high-definition picture of a low tech (trucks get repaired in the middle of the dunes) but vicious war, and for the breathtaking gallantry of unpretentious young men and General Rommel. There is, as a lagniappe thrown in at the end, one of the best apologies ever written on behalf of novels as a necessary art form. 

Brilliant, but not for the Tom Clancy set.

Pub Date: April 15, 2008

ISBN: 978-0-385-51970-0

Page Count: 368

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2008

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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