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TIDES OF WAR

brilliant, epic, intelligent, and moving.

Pressfield produces an even greater spectacle—and, in its honest, incremental way, an even greater heart-tugger—than in

his acclaimed tale of the battle of Thermopylae, Gates of Fire (1999). Jason, son of Alexicles, lived almost to 92, in the prime of that long life having fought for Athens and been close friend to Socrates. When a grandson asks him whether, of all those he'd known in his life, there had been “one whom memory has driven deepest,” Jason responds immediately: yes, Polemides, the man who assassinated Alcibiades. Thus unfolds the most remarkable of tales, told partly in Jason's own words and partly in the words of the imprisoned and treason-charged soldier Polemides as—over the same few days that Socrates waits to drink the hemlock—he tells Jason the story of the many intertwinings of his own military life, during the “thrice nine years” of the Peloponnesian War, with the life of that bold, brilliant, gifted, immeasurably ambitious leader, Alcibiades. The political complexities between Sparta and Athens, not to mention the cultural competition between them, are handled with a clarity that enlightens and captivates the reader at once—as Polemides becomes a mercy killer in the ghastly Great Plague in Athens early in the war; as Alcibiades all but single-handedly launches the Athenian fleet in its attack on Sicily—only then, when he's recalled on charges of treason, to abandon the fleet (and Polemides) to one of history's most ungodly, cruel, costly defeats; and as the same Alcibiades afterward piles up one glorious naval victory after another in Asia and the Hellespont, returning to Athens in glory only later to be declared, through his enemies' skilled manipulations of the demos, the greatest danger to her. On every page are color, splendor, sorrow, the unforgiving details of battle, daily life, and of the fighter's lot. Unabashedly

brilliant, epic, intelligent, and moving.

Pub Date: April 4, 2000

ISBN: 0-385-49252-9

Page Count: 432

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2000

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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