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A MAN WHO THINKS HE KNOWS WHO REALLY KILLED THE PRESIDENT

A rollicking, if occasionally foggy, adventure through time and memory.

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Stosny (Henry-Henry, Shadows & Light, 2016, etc.) offers a story about an author’s connections to the past and President John F. Kennedy.  

The protagonist of this jumpy novel is a white man, George, who falls in love with and marries an African-American woman, Madeline, in the late 1950s. One day, while driving, George explains to Madeline why he loves her, and, due to his distraction, the two crash into a Budweiser truck. The accident tragically leaves Madeline in a wheelchair for the rest of her life, and they wind up receiving a tidy legal settlement from the beer company. Afterward, George refuses to get a full-time job, although he remains dutiful to his wife. With the settlement money, he’s free to pursue his personal obsession: an ever expanding novel called Primordial Swamps. When Madeline advises him to make the book shorter, he says, “The story can’t be cut, it’s about everything.” As he works on his novel, he also becomes fixated on President Kennedy and his assassination. The book bounces between various time periods, including 1963 and 2033, encompassing George’s novel, George’s reality, and the tale of a curious doctor in 1963 who would like to see the 35th president killed. The story moves and changes quickly, and, as such, its ideas come at a rapid pace. For example, iron lungs, the Cuban missile crisis, and Kennedy’s infidelities are all considered in quick succession, giving readers digestible tidbits of history without ever exhausting their attention and interest. The book also offers this slim but potent observation on first lady Jacqueline Kennedy: “She brought elegance to a country in need of fantasy.” Some of the more fictionalized material doesn’t always flow as smoothly; George’s immediate family is strange but not very memorable, and when his relations meet unfortunate endings, one may be more likely to shrug than to gasp. The story is much more engaging, however, when focused on the protagonist himself and his odd struggles, which provide a unique view on events of the past.

A rollicking, if occasionally foggy, adventure through time and memory.     

Pub Date: April 26, 2017

ISBN: N/A

Page Count: 321

Publisher: CreateSpace

Review Posted Online: Aug. 3, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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