Dramatic and intelligent, this is a smart start to a new detective series.
A photographer taking pictures of gravestones uncovers evidence of a horrifying crime in this mystery novel.
Colorado photographer Sam Dawson sums up his life this way: “Divorced, no close friends, obsessed with his career, and only a dog for companionship.” Ten years ago, he was too busy to visit his dying mother; now, as some kind of absolution, he’s taking pictures of tombstones in her hometown of Oxford, Iowa. Sam uncovers eerie likenesses between the Iowa cemetery and one thousands of miles away in Cambridge, Colo. For example, Eugene Eris, a doctor, is buried in each, 18 months apart with the same birth dates and the same mysterious epitaph: “Wellborn Are My Children.” Even the gravediggers for both sites look like twins. Ignoring threats and trying to romance a beautiful genetics researcher, Sam digs through dusty file folders, computerized records and layers of bureaucracy as he zeros in on Dr. Eris’ place in the early 20th-century eugenics movement—and his hideous crimes. Horn (Another Man’s Life, 2012, etc.) has constructed a truly unsettling mystery backed by in-depth knowledge of science, Colorado bureaucracy and politics, and history. Who knew, for example, that a eugenics section of the State Board of Stock Inspection was still part of Colorado law? The pieces fit together well; e.g., an inherited genetic condition serves both to put Sam’s daughter in danger and to reveal the ironic tragedy of Eris’ schemes. Horn’s characterization, dialogue and pacing are solid. He makes the wise decision to set the novel in 1999, so plot points aren’t simplified by current technology. These days, Sam’s discoveries could have easily gone vial, but that would have given the story a different ending. A few creaky tropes from mystery thrillers can be found here: not calling the police because “who’s going to believe this wild story?”; the untrustworthy girlfriend; the bad guys hurting Sam emotionally and predictably. Horn plans further Sam Dawson mysteries, and criticisms aside, readers will look forward to the next outing.
Dramatic and intelligent, this is a smart start to a new detective series.Pub Date: Oct. 31, 2013
ISBN: 978-0983589419
Page Count: 370
Publisher: Granite Peak Press
Review Posted Online: Oct. 4, 2013
Kirkus Reviews Issue: Dec. 15, 2013
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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