This first novel is an impressive achievement: a universal yet never generic examination of small-town tragedy. There are two sad stories here. The first is that of Annie Marchand, a woman unknowingly spiraling into deeper danger as her estranged husband loses his grip. After attempting suicide he becomes zealously religious and tries to win back his wife and young daughter. The second is the less dramatic tale of Arthur Parkinson, at that age when he is too old to be a boy but still too young to drive, whose parents are splitting up. The two characters live in the same town and have some tenuous connections: Marchand was Parkinson's beloved babysitter for a time; Parkinson's father worked briefly with Marchand's husband. One of the many ways in which O'Nan (the short-story collection In the Walled City, not reviewed) scores a bull's-eye lies in his depiction of the casual acquaintance of small-town inhabitants who rub up against each other almost daily without ever achieving a deeper connection. Telling both stories from some time in the future, Parkinson still perfectly recaptures the dreary days of high school. He gets stoned, listens to music, watches his mother start going out again on the weekends, and meets his father's new girlfriend. Parkinson tells all this with a painful intensity that, no matter how hard he tries, he can't disguise as not caring. His telling of Marchand's story is more direct and in the present tense, and the fairly lengthy alternating passages play off each other in a stop-and- start rhythm. While these characters are not terribly self-aware, O'Nan never condescends to them or makes their troubles seem inconsequential, even at comical moments like Parkinson's first stabs at romance with an eerie twin who shares his bus stop or his visits to a therapist with an office above ``the Hot Dog Shoppe.'' Solid and skillful. (Author tour)
Pub Date: Nov. 3, 1994
ISBN: 0-385-47574-8
Page Count: 320
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1994
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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