SNOW ANGELS

This first novel is an impressive achievement: a universal yet never generic examination of small-town tragedy. There are two sad stories here. The first is that of Annie Marchand, a woman unknowingly spiraling into deeper danger as her estranged husband loses his grip. After attempting suicide he becomes zealously religious and tries to win back his wife and young daughter. The second is the less dramatic tale of Arthur Parkinson, at that age when he is too old to be a boy but still too young to drive, whose parents are splitting up. The two characters live in the same town and have some tenuous connections: Marchand was Parkinson's beloved babysitter for a time; Parkinson's father worked briefly with Marchand's husband. One of the many ways in which O'Nan (the short-story collection In the Walled City, not reviewed) scores a bull's-eye lies in his depiction of the casual acquaintance of small-town inhabitants who rub up against each other almost daily without ever achieving a deeper connection. Telling both stories from some time in the future, Parkinson still perfectly recaptures the dreary days of high school. He gets stoned, listens to music, watches his mother start going out again on the weekends, and meets his father's new girlfriend. Parkinson tells all this with a painful intensity that, no matter how hard he tries, he can't disguise as not caring. His telling of Marchand's story is more direct and in the present tense, and the fairly lengthy alternating passages play off each other in a stop-and- start rhythm. While these characters are not terribly self-aware, O'Nan never condescends to them or makes their troubles seem inconsequential, even at comical moments like Parkinson's first stabs at romance with an eerie twin who shares his bus stop or his visits to a therapist with an office above ``the Hot Dog Shoppe.'' Solid and skillful. (Author tour)

Pub Date: Nov. 3, 1994

ISBN: 0-385-47574-8

Page Count: 320

Publisher: Doubleday

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1994

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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