Another fine effort from a writer who in ten years has crafted nine novels dramatically different in tone and content but...

READ REVIEW

THE GOOD WIFE

The versatile, accomplished O’Nan follows up the ghostly doings of The Night Country (2003) with a quiet, realistic portrait of a woman waiting—for 28 years—for her husband to get out of jail.

Patty is 27 and pregnant when she learns that husband Tommy and his buddy Gary have committed a string of burglaries and are now being charged with murder after an old woman dies during their latest break-in. With seasoned skill, O’Nan spends the first third of the story (through the trial) delineating Patty’s situation. Relations are tense with her widowed mother, who has always disapproved of Tommy, and with older sister Shannon, who boasts a more affluent husband and lifestyle. Younger sister Eileen, her closest family ally, is broke, blue-collar, and a little raffish, like Patty and Tommy. In the trial, Gary turns state’s witness, Tommy gets 25 to life, and Patty is left to raise baby Casey as a single mother with few job skills. The subsequent scenes episodically sketch her life, front-loaded toward the early years of Tommy’s incarceration. Patty learns to cope with the monolithic prison system, at best indifferent to and often actively abusive of the convicts’ families. O’Nan focuses on Patty’s struggles and growth as she reluctantly moves in with her mother, endures a series of grinding, poorly paid jobs, and sees the scars Tommy’s absence inflicts on their slightly aloof son, who nonetheless matures into a decent, responsible young man. The deliberately low-key narrative has few dramatic events—Tommy’s abrupt transfer to a more distant prison is the most jarring—and even fewer discussions of people’s feelings. Patty simply lives her commitment to her marriage every day for 28 years, and we believe in it because we believe in the fully dimensional, ordinary but extraordinary character O’Nan has created. She deserves her (qualified) happy ending, long though it is in coming.

Another fine effort from a writer who in ten years has crafted nine novels dramatically different in tone and content but impressively consistent in their moral seriousness and artistic conviction.

Pub Date: April 4, 2005

ISBN: 0-374-28139-4

Page Count: 320

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2005

Did you like this book?

No Comments Yet

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

Did you like this book?

More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

Did you like this book?

No Comments Yet
more