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LUCID INTERVALS

Some of these riddles are handily resolved, others fade away, and then this weightless tale is done, setting the stage for...

Jet-setting New York attorney Stone Barrington’s old acquaintances present him with a fistful of new problems.

Herbie Fisher, the most clueless member of the New York bar (Fresh Disasters, 2007), turns up in Elaine’s announcing that he’s won a $30 million lottery prize, shoving a handbag full of hundreds in Stone’s face and insisting that he needs a lawyer of his own because somebody wants to kill him. Moments later, he’s followed by Dame Felicity Devonshire of MI6 (Capital Crimes, 2003), who offers Stone the relatively piddling sum of £100,000 to find Stanley Whitestone, who since retiring from Her Majesty’s Secret Service a dozen years ago has been selling classified information on the open market. Since Felicity offers a sweetener Herbie can’t hope to match, Stone agrees to her terms as quickly as he declined Herbie’s. Next morning, he awakens to find that he’s inadvertently accepted both clients. If Herbie’s constant demands for help and Felicity’s for sex aren’t draining enough, Stone also learns that Dolce Bianchi, the homicidal Mafia princess to whom he was once married for a heartbeat (L.A. Dead, 2000), has stabbed her minder and gone off the rez, presumably gunning for Stone and his ladylove. Things get even more complicated when Jim Hackett, the security expert Felicity is convinced is really Stanley Whitestone, takes to Stone so warmly that he offers him a job at his firm, Strategic Services, creating what passes for moral conflict in Woods’s world of frothy wish-fulfillment. Will Stone ace his first assignment for Security Services by qualifying to fly Hackett’s private jet? Will he, and should he, convince Felicity that Hackett isn’t Whitestone? Will Herbie get killed? If he isn’t, will Stone be able to spring him from a jail cell? And what will become of Dolce, armed, dangerous and demented?

Some of these riddles are handily resolved, others fade away, and then this weightless tale is done, setting the stage for the inevitable next installment.

Pub Date: April 20, 2010

ISBN: 978-0-399-15644-1

Page Count: 304

Publisher: Putnam

Review Posted Online: Sept. 24, 2010

Kirkus Reviews Issue: Feb. 15, 2010

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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An addictive psychological thriller.

When a mysterious novel appears on her bedside table, a successful documentary filmmaker finds herself face to face with a secret that threatens to unravel life as she knows it.

Catherine Ravenscroft has built a dream life, or close to it: the devoted husband, the house in London, the award-winning career as a documentary filmmaker. And though she’s never quite bonded with her 25-year-old son the way she’d hoped, he’s doing fine—there are worse things than being an electronics salesman. But when she stumbles across a sinister novel called The Perfect Stranger—no one’s quite sure how it came into the house—Catherine sees herself in its pages, living out scenes from her past she’d hoped to forget. It’s a threat—but from whom? And why now, 20 years after the fact? Meanwhile, Stephen Brigstocke, a retired teacher, widowed and in pain, is desperate to exact revenge on Catherine and make her pay for what happened all those years ago. The story is told in alternating chapters, Catherine's in the third-person and Stephen's in the first, as the two orbit each other, predator and prey, and the novel moves between the past and the present to paint a portrait of two troubled families with trauma bubbling under the surface. As their lives become increasingly entangled, Stephen’s obsession grows, Catherine’s world crumbles, and it becomes clear that—in true thriller form—everything may not be as it seems. But how much destruction must be wrought before the truth comes out? And when it does, will there be anything left to salvage? While the long buildup to the big reveal begins to drag, Knight’s elegant plot and compelling (if not unexpected) characters keep the heart of the novel beating even when the pacing falters. Atmospheric and twisting and ripe for TV adaptation, this debut novel never strays far from convention, but that doesn’t make it any less of a page-turner.

An addictive psychological thriller.

Pub Date: May 19, 2015

ISBN: 978-0-06-236225-4

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: March 1, 2015

Kirkus Reviews Issue: March 15, 2015

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