A histrionic but reflective story about gaining maturity and knowledge.


A girl uses the key to her grandparent’s sock drawer to unlock lesson-rich adventures in this fantasy novel.

After her grandmother’s death, 13-year-old Sukey Durand travels with her father from San Diego to southeastGeorgia, where they remain for some time to prepare her late grandma’s house for sale. One day, Sukey gets a letter addressed only to her, to be opened in private. The missive is from her late grandmother, and includes what the elderly woman called “my most precious treasure”: the key to her sock drawer. Inside the drawer are three very different pairs of socks: one that’s warm and woolly; one that’s patterned with puppies; and lacy footies. Donning each pair takes Sukey on surprising voyages to three magical lands. The first is inhabited by people with either pig or mule faces; in the second are talking frogs, who are facing oppression. Finally, Sukey visits a cave of memories, where family trees grow upside down. In each location, the girl learns lessons, such as how to teach mulish and pigheaded people to get along by recognizing one another’s strengths. Meanwhile, she learns more about her grandmother and a source of family estrangement, and realizes that “Things that go wrong need to start anew.” In her debut book, Agauas mixes adventure and Christian allegory in a way that’s mildly reminiscent of C.S. Lewis’ Chronicles of Narnia. This is most evident in the middle section, set in the city of Mare-C in the land of Evol (“love” spelled backward). Here, a Christlike figure called Amik, a beaver, repudiates the evil Skunk Bear, reminding everyone that “all debts are covered for all those that choose to live and love in Mare-C.” The scenes are imaginative and not too heavy-handed, but sometimes the book strains for effect; Sukey takes an agonizingly long time—likely well past the point of readers’ patience—to open the letter, find the drawer, and unlock it, and her thoughts are frequently slowed by melodramatic digressions in the form of massed, one-sentence paragraphs.

A histrionic but reflective story about gaining maturity and knowledge.

Pub Date: N/A

ISBN: 978-1-73227-111-1

Page Count: 330

Publisher: Why Not Now? Children's Books

Review Posted Online: Nov. 19, 2019

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...


 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 19, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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