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WHERE SIN INCREASED

BUT WHERE SIN INCREASED, GRACE INCREASED ALL THE MORE. ROMANS 5:20

A well-told, if idiosyncratic, family drama with an unsolved killing at its center.

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A murder mystery unfolds over multiple generations of a Maine family in this novel.

Winterhaven, Maine, 1958. The Therberges are wracked with grief after their missing daughter, 8-year-old Mary Sue, is found dead beneath a granite boulder. Police attention turns to her brother, John Daniel, 10, the last known person to see her alive. When the case goes cold, private investigator Rocky O’Hara, recently of Atlanta and now of Portland, Maine, is asked by Margaret Powell, a relative of the Therberges, to offer a new perspective on the murder. Rocky is fresh from a similar homicide case in Georgia—one disturbing enough that it caused him to leave his home state for a new life in New England—and he’s committed to bringing Mary Sue’s killer to justice. Meanwhile, John Daniel—whose activities include burying cats alive in his grandmother’s garden and lighting fires in his bedroom closet—appears to know more about the crime than he’s letting on, and his mother seems bent on directing any suspicion away from her son. She isn’t the only family member who suddenly seems uninterested in finding the culprit. Margaret lets Rocky know that his services are no longer needed: “Casting his mind back to that first encounter in his office, he never would have imagined that lady ever giving up…ever. So, what happened? What changed? Did some horrible family secret become known to Margaret which she felt bound to keep secret?” But Rocky’s history with the case is just beginning: The murder of Mary Sue will haunt John Daniel—or JD, as he’s known in adulthood—and the rest of the Therberge family all the way into the 21st century. Baumgardner’s (Languid Lilies, 2019, etc.) prose is detailed and sharp, particularly in her economical descriptions of her characters, including John Daniel’s grandfather: “Grampy has control of his life and everyone in it. Mama says he even has God in his hip pocket. This boy will watch Grampy and learn the trick. That God thing just might be the key.” Her rendering of the deeply disturbed and unexpectedly complex John Daniel is particularly riveting, and she manages to wring a horror novel’s worth of tension from his relationships over the course of the tale. Rocky is more familiar fare: a genre detective in a book that isn’t really a genre offering, though he provides a welcome change of pace from some of the story’s more brooding sections. Threading through the work is a strong religious theme, which is more effective in explaining some of the characters’ motivations than it is at supplying a philosophical underpinning for the events. The tone vacillates from sections of polished verisimilitude to clunky encounters—reminiscent, in some ways, of Maine’s best known writer of dark tales, Stephen King. There are elements here that feel coincidental or contrived, and John Daniel’s psychology might not square exactly with one found in a profiler’s manual. But Baumgardner weaves an unorthodox mystery tale that will keep readers invested through the fallow periods and surprising time jumps.

A well-told, if idiosyncratic, family drama with an unsolved killing at its center.

Pub Date: April 24, 2019

ISBN: 978-1-09-570150-8

Page Count: 445

Publisher: Encircle Publishing

Review Posted Online: Dec. 11, 2019

Kirkus Reviews Issue: Feb. 15, 2020

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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