Bestselling Kidd (The Secret Life of Bees (2002) has a gift for language, but the saccharine aftertaste won’t go away.

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THE MERMAID CHAIR

According to Kidd’s follow-up to The Secret Life of Bees, there’s nothing like a little soulful adultery to get an anemic marriage back on track.

Atlanta housewife and part-time artist Jessie Sullivan has been in a mild funk since her daughter Dee started college. Then she and her sensitive but controlling husband, Hugh, receive news that her obsessively devout mother, Nelle, has purposely cut off a finger—whether out of misplaced piety or mental illness isn’t known. With trepidation, Jessie returns to the South Carolina barrier island where she was raised to care for Nelle. She still carries guilt that a spark from the pipe she had given her father supposedly caused the boating accident that killed him when she was nine. Since then, Nelle has cooked for the neighboring monks, whose patron saint, Saint Senare, was an Irish mermaid before she found God. Jessie meets and is immediately attracted to the newest addition to the monastery, Father Thomas. A former lawyer whose wife and unborn child died in a freak accident, Father Thomas, who has yet to take his final vows, is in charge of the rookery, so he spends his days paddling alone down various creeks. Soon, Jessie is paddling with him while delving into her own sensuality and selfhood. No pure lust, but a spiritual coupling has taken place as evidenced, at least, by the pictures she creates of a mermaid diving deep toward the ocean floor, while there’s much talk of being “damned and saved both.” Jesse learns she isn’t to blame for her father’s death, but her relief is short-lived, since Nelle cuts off another finger. Loyal Hugh shows up to help and discovers Jessie’s affair. Once the truth of Jessie’s father’s death is revealed, Nelle begins a real recovery, while a wiser, stronger Jessie returns to the ever-patient Hugh, who vows to be a better husband.

Bestselling Kidd (The Secret Life of Bees (2002) has a gift for language, but the saccharine aftertaste won’t go away.

Pub Date: April 5, 2005

ISBN: 0-670-03394-4

Page Count: 336

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 2005

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A bold, fertile work lit by powerful images, often consumed by debate, almost old-school in its feminist commitment.

THE BOOK OF V.

Esther, the Old Testament teenager who reluctantly married a Persian king and saved her people, is connected across the ages to two more contemporary women in a sinuous, thoughtful braid of women’s unceasing struggles for liberty and identity.

Biblical Esther, second-wave feminist Vee, and contemporary mother-of-two Lily are the women whose narrative strands and differing yet sometimes parallel dilemmas are interwoven in Solomon’s (Leaving Lucy Pear, 2016, etc.) questing, unpredictable new novel. All three are grappling—some more dangerously than others—with aspects of male power versus their own self-determination. Esther, selected from 40 virgins to be the second queen—after her predecessor, Vashti, was banished (or worse)—is the strangest. Her magical powers can bring on a shocking physical transformation or reanimate a skeletal bird, yet she is still a prisoner in a gilded cage, mother to an heir, frustrated daughter of an imperiled tribe. Vee, wife of an ambitious senator in 1970s Washington, finds herself a player in a House of Cards–type scenario, pressured toward sexual humiliation by her unscrupulous husband. Lily, in 21st-century Brooklyn, has chosen motherhood over work and is fretting about the costumes for her two daughters to wear at the Purim carnival honoring Esther. Alongside questions of male dominance, issues of sexuality arise often, as do female communities, from Esther’s slave sisters to Vee’s consciousness-raising groups to Lily’s sewing circle. And while layers of overlap continue among the three women's stories—second wives, sewing, humming—so do subtly different individual choices. Finely written and often vividly imagined, this is a cerebral, interior novel devoted to the notion of womanhood as a composite construction made up of myriad stories and influences.

A bold, fertile work lit by powerful images, often consumed by debate, almost old-school in its feminist commitment.

Pub Date: May 5, 2020

ISBN: 978-1-250-25701-7

Page Count: 320

Publisher: Henry Holt

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SCREWTAPE LETTERS

These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.

Pub Date: Jan. 1, 1942

ISBN: 0060652934

Page Count: 53

Publisher: Macmillan

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: June 15, 1943

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