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THE SECRET LIFE OF BEES

Despite some dark moments, more honey than vinegar.

A wonderfully written debut that rather scants its subject of loss and discovery—a young girl searching for the truth about her dead mother—in favor of a feminist fable celebrating the company of women and the ties between that mothers and daughters.

The prose is lapidary, the characters diverse, and the story unusual as it crosses the color line, details worship of a black Virgin Mary, and extensively describes the lives and keeping of bees. But despite these accomplishments, the fabulist elements (bees as harbingers of death, a statue with healing powers) seem more whimsical than credible and ultimately detract from the story itself. Lily Owens, just about to turn 14, narrates this tale set in South Carolina during July 1964. Since her mother died when she was four, Lily has been raised by African-American Rosaleen and by her sadistic father T. Ray Owens, a peach farmer who keeps reminding Lily that she killed her mother. When Rosaleen is arrested and beaten for trying to vote, Lily springs her from the hospital, and they head to the town of Tiburon because its name is on the back of a cross that belonged to Lily’s mother. On the front is a picture of a black Madonna who can also be seen on the labels of jars of honey produced in Tiburon by local beekeeper Augusta Boatwright. Certain the secret to her mother’s past lies in Tiburon, Lily persuades Augusta to take them in. As the days pass she helps with the bees; meets handsome young African-American Zach; becomes convinced her mother knew Augusta; and is introduced to the worship of Our Lady of Chains, a wooden statue of Mary that since slavery has had special powers. By summer’s end, Lily knows a great deal of bee lore and also finds the right moment to learn what really happened to her mother.

Despite some dark moments, more honey than vinegar.

Pub Date: Jan. 14, 2002

ISBN: 0-670-89460-5

Page Count: 320

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2001

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TO HAVE AND HAVE NOT

A somewhat puzzling book, but — all in all — it is good Hemingway, and a sure sale. Key West and Cuba form the settings for a tough story of men at the end of their tether, grasping at any straw, regardless of risk, to turn a few dollars. Rum-running, smuggling aliens, carrying revolutionary arms. Gangsters, rich sportsmen, sated with routine, dissipated women and men — they are not an incentive to belief in the existence of decent people. But in spite of the hard-boiled, bitter and cruel streak, there is a touch of tenderness, sympathy, humanity. Adventure — somewhat disjointed. The first section seems simply to set the stage — the story starting after the prelude is over. The balance forms a unit, working up to a tragic climax and finale. There is something of The Sun Also Rises,and a Faulkner quality, Faulkner at his best. A book for men — and not for the squeamish. You know your Hemingway market. His first novel in 8 years.

Pub Date: Oct. 15, 1937

ISBN: 0684859238

Page Count: 177

Publisher: Scribner

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Oct. 1, 1937

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THE PATRON SAINT OF LIARS

Patchett's first novel, set in rural Kentucky in a castle-like home for unwed mothers—where a good woman finds she cannot lie her way beyond love—has a quiet summer-morning sensibility that reminds one of the early work of Anne Tyler. Within the security of everydayness, minds and hearts take grievous risks. ``Maybe I was born to lie,'' thinks Rose, who, after a three- year marriage to nice Tom Clinton, realizes that she's misread the sign from God pointing to the wedding: she married a man she didn't love. From San Diego, then, Rose drives—``nothing behind me and nothing ahead of me''—all the way to Kentucky and St. Elizabeth's home for unwed mothers, where she plans to have the baby Tom will never know about, and to give it clean away. But in the home, once a grand hotel, Rose keeps her baby, Cecilia; marries ``Son,'' the handyman (``God was right after all...I was supposed to live a small life with a man I didn't love''); and becomes the cook after briefly assisting that terrible cook, sage/seeress, and font of love, Sister Evangeline. The next narrative belongs to Son, a huge man originally from Tennessee—like Rose, gone forever from home- -who recounts the last moments of his fiancÇe's life long ago (Sister Evangeline absolves him of responsibility) and who loves Rose. The last narrator is teenaged Cecilia, struggling to find her elusive mother within the competent Rose, who's moved into her own house away from husband and daughter. Like Rose years before, her daughter considers the benefits of not knowing ``what was going on''...as the recent visitor—small, sad Tom Clinton—drives off, and Cecilia knows that Rose, who left before he came, will never return. In an assured, warm, and graceful style, a moving novel that touches on the healing powers of chance sanctuaries of love and fancy in the acrid realities of living.

Pub Date: May 1, 1992

ISBN: 0-395-61306-X

Page Count: 368

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1992

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