Well-written and superbly reported.
An absorbing account of the clash between environmentalists and oyster farmers in the coastal towns north of San Francisco.
In her debut, Brennan, a contributor to the Believer, the Rumpus, and other publications, describes a lengthy political and ecological battle involving the National Park Service, wilderness advocates, and the agricultural community in the Point Reyes National Seashore, a park preserve in Marin County, California. The “oyster war,” which won national media attention, pitted passionate supporters of the wild against equally vociferous champions of organic farming and resulted in the closing of the Drakes Bay Oyster Company, which had been raising oysters in a pristine estuary. Brennan, who grew up in the area and worked for the Point Reyes Light, offers a well-crafted narrative exploring every aspect of the controversy, from the contentious issue of whether the oyster farm was polluting the estuary (scientific and investigatory reports had uncertain findings) to the unusual array of individuals taking part (including Richard Nixon adviser John Ehrlichman and Senator Dianne Feinstein). The author recounts the history of oystering in America; the mixed uses of the biologically rich Northern California seashore by farmers, hikers, and campers; and how the 1976 Point Reyes Wilderness Act protected the area. When the Park Service refused to renew the oyster company’s lease to operate within the park—ostensibly to restore the area to its wilderness condition—legal battles ensued. Brennan interweaves the stories of oyster pirates, cattle ranchers, Native Americans, scientists, and species ranging from exotic deer to harbor seals. She confronts the ambiguities of the conflicting arguments and motives of the key players, leaving readers to share her wonder at the “false dichotomy” between wild and cultivated landscapes. The oyster war, she writes, was “a story about loss…whether it be the loss of nature or the loss of a way of being in the world that feels sane, where men and women pull sustenance out of the lands and water.”
Well-written and superbly reported.Pub Date: Aug. 11, 2015
ISBN: 978-1-61902-527-1
Page Count: 256
Publisher: Counterpoint
Review Posted Online: May 13, 2015
Kirkus Reviews Issue: June 1, 2015
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Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.
A new life and book arise from the ashes of a devastating California wildfire.
These days, it seems the fires will never end. They wreaked destruction over central California in the latter months of 2018, dominating headlines for weeks, barely a year after Fies (Whatever Happened to the World of Tomorrow?, 2009) lost nearly everything to the fires that raged through Northern California. The result is a vividly journalistic graphic narrative of resilience in the face of tragedy, an account of recent history that seems timely as ever. “A two-story house full of our lives was a two-foot heap of dead smoking ash,” writes the author about his first return to survey the damage. The matter-of-fact tone of the reportage makes some of the flights of creative imagination seem more extraordinary—particularly a nihilistic, two-page centerpiece of a psychological solar system in which “the fire is our black hole,” and “some veer too near and are drawn into despair, depression, divorce, even suicide,” while “others are gravitationally flung entirely out of our solar system to other cities or states, and never seen again.” Yet the stories that dominate the narrative are those of the survivors, who were part of the community and would be part of whatever community would be built to take its place across the charred landscape. Interspersed with the author’s own account are those from others, many retirees, some suffering from physical or mental afflictions. Each is rendered in a couple pages of text except one from a fellow cartoonist, who draws his own. The project began with an online comic when Fies did the only thing he could as his life was reduced to ash and rubble. More than 3 million readers saw it; this expanded version will hopefully extend its reach.
Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.Pub Date: March 5, 2019
ISBN: 978-1-4197-3585-1
Page Count: 160
Publisher: Abrams ComicArts
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
Exemplary writing about the world and a welcome gift to readers.
Distinguished natural history writer and explorer Lopez (Outside, 2014, etc.) builds a winning memoir around books, voyages, and biological and anthropological observations.
“Traveling, despite the technological innovations that have brought cultural homogenization to much of the world, helps the curious and attentive itinerant understand how deep the notion goes that one place is never actually like another.” So writes the author, who has made a long career of visiting remote venues such as Antarctica, Greenland, and the lesser known of the Galápagos Islands. From these travels he has extracted truths about the world, such as the fact that places differ as widely as the people who live in them. Even when traveling with scientists from his own culture, Lopez finds differences of perception. On an Arctic island called Skraeling, for instance, he observes that if he and the biologists he is walking with were to encounter a grizzly feeding on a caribou, he would focus on the bear, the scientists on the whole gestalt of bear, caribou, environment; if a native of the place were along, the story would deepen beyond the immediate event, for those who possess Indigenous ways of knowledge, “unlike me…felt no immediate need to resolve it into meaning.” The author’s chapter on talismans—objects taken from his travels, such as “a fist-size piece of raven-black dolerite”—is among the best things he has written. But there are plentiful gems throughout the looping narrative, its episodes constructed from adventures over eight decades: trying to work out a bit of science as a teenager while huddled under the Ponte Vecchio after just having seen Botticelli’s Venus; admiring a swimmer as a septuagenarian while remembering the John Steinbeck whom he’d met as a schoolboy; gazing into the surf over many years’ worth of trips to Cape Foulweather, an Oregon headland named by Capt. James Cook, of whom he writes, achingly, “we no longer seem to be sailing in a time of fixed stars, of accurate chronometers, and of reliable routes.”
Exemplary writing about the world and a welcome gift to readers.Pub Date: March 20, 2019
ISBN: 978-0-394-58582-6
Page Count: 592
Publisher: Knopf
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
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