by Susan Burton ‧ RELEASE DATE: June 23, 2020
A powerful picture of anorexia and binge-eating disorder that would benefit from being shorter and more targeted.
A debut memoir painstakingly re-creates a history of disordered eating.
As a young woman, This American Life editor Burton alternated between anorexia (“the world responds to thinness, and the girl subsists on its compliments”) and binge-eating disorder. She convincingly traces her body issues back several generations: As a nonagenarian on her deathbed, her grandmother wished that she could weigh herself. Burton is also haunted by her mother’s self-assessment: “I knew nobody would ever love me for my body. They would have to love me for my mind.” The author’s extremely finicky childhood eating was a sign that she “perceived food as a threat.” A traumatic upbringing—her parents’ divorce, a move from Michigan to Colorado, her mother’s alcoholism—meant she couldn’t be like the carefree teens she saw in Seventeen. Not eating, she writes, gave a pleasurable “feeling of less inside—light, relieved, unburdened.” But in November 1989, “the weekend I lost power,” she started binge-eating. Burton recounts how she would gorge herself on carbs and sweets until her belly was distended. By the time she was a freshman in college, she’d gained 50% of her body weight. The author has been a vigilant personal archivist and chooses pertinent anecdotes to exemplify her mental and physical states. For instance, after eating most of a pan of brownies, she lost control of her bowels while out running: “a moment of total abasement.” However, the surfeit of information on her high school years—friends, acting, a summer job, boyfriends, and so on—distracts from the bigger picture. The level of detail is evidence of Burton’s original aim of writing a history of teenage girlhood. While the book is a valuable addition to the literature on eating disorders—which Burton likens to heroin in their addictiveness—the focus slips, making the middle third a slog.
A powerful picture of anorexia and binge-eating disorder that would benefit from being shorter and more targeted.Pub Date: June 23, 2020
ISBN: 978-0-8129-9284-7
Page Count: 288
Publisher: Random House
Review Posted Online: Feb. 18, 2020
Kirkus Reviews Issue: April 1, 2020
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by Susan Burton & Cari Lynn
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by Maya Angelou ‧ RELEASE DATE: Feb. 1, 1969
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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by Maya Angelou
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by Maya Angelou
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by Maya Angelou and illustrated by Steve Johnson and Lou Fancher
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by Glennon Doyle ‧ RELEASE DATE: March 10, 2020
Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.
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More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.
In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.
Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.Pub Date: March 10, 2020
ISBN: 978-1-9848-0125-8
Page Count: 352
Publisher: Dial Books
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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