While readers will root for these kids, Coll’s affection for her targets does not detract from her bite.

ACCEPTANCE

A cheerfully pointed satire about the college-admissions process at a suburban Washington, D.C., high school where students and/or their parents have Ivy League aspirations.

In the spring of their junior year, Harry, Maya and Taylor are surprised to find each other at an admissions-information session at Yates, a small upstate New York college each high-schooler assumes is below the others’ expectations. Harry, better known as AP Harry, is one of those obnoxiously perfect kids who loves tests and has his heart set on Harvard. His divorced, hardworking mother, Grace, worries that Harry is too driven to excel, which is why she drags him to see Yates. Maya’s not-quite-stereotypical East Asian parents expect swim-star Maya to follow her sister into the Ivies, but well-adjusted, easy-going Maya knows she is merely a good student, not exceptional. Taylor’s mother, who never went to college, is desperate to have Taylor go somewhere more prestigious than Yates, but Taylor, whose relationship with her mother is prickly at best, falls in love with the school. As the admissions season progresses, Harry resents suggestions that he apply to the Univ. of Maryland as a fallback. Under pressure from her parents to raise her grades, Maya temporarily quits the swim team, but when she fills in at a meet, she breaks a state record. She is then wooed by USC, much to her parents’ relief. Taylor, whose application essay is disarmingly honest, is deferred from Yates. Yates admissions officer Olivia has been overwhelmed by the surge in overqualified applicants since a technical glitch listed the mediocre school as 50th on U.S. News & World Report’s list of top colleges. Bored and cynical about the process she oversees, Olivia is moved by Taylor’s application and invites her for a personal interview that ensures Taylor’s acceptance.

While readers will root for these kids, Coll’s affection for her targets does not detract from her bite.

Pub Date: March 1, 2007

ISBN: 0-374-23719-0

Page Count: 304

Publisher: Sarah Crichton/Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 15, 2006

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There are unforgettable beauties in this very sexy story.

TELL ME LIES

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 20, 2018

Kirkus Reviews Issue: April 1, 2018

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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