While readers will root for these kids, Coll’s affection for her targets does not detract from her bite.

ACCEPTANCE

A cheerfully pointed satire about the college-admissions process at a suburban Washington, D.C., high school where students and/or their parents have Ivy League aspirations.

In the spring of their junior year, Harry, Maya and Taylor are surprised to find each other at an admissions-information session at Yates, a small upstate New York college each high-schooler assumes is below the others’ expectations. Harry, better known as AP Harry, is one of those obnoxiously perfect kids who loves tests and has his heart set on Harvard. His divorced, hardworking mother, Grace, worries that Harry is too driven to excel, which is why she drags him to see Yates. Maya’s not-quite-stereotypical East Asian parents expect swim-star Maya to follow her sister into the Ivies, but well-adjusted, easy-going Maya knows she is merely a good student, not exceptional. Taylor’s mother, who never went to college, is desperate to have Taylor go somewhere more prestigious than Yates, but Taylor, whose relationship with her mother is prickly at best, falls in love with the school. As the admissions season progresses, Harry resents suggestions that he apply to the Univ. of Maryland as a fallback. Under pressure from her parents to raise her grades, Maya temporarily quits the swim team, but when she fills in at a meet, she breaks a state record. She is then wooed by USC, much to her parents’ relief. Taylor, whose application essay is disarmingly honest, is deferred from Yates. Yates admissions officer Olivia has been overwhelmed by the surge in overqualified applicants since a technical glitch listed the mediocre school as 50th on U.S. News & World Report’s list of top colleges. Bored and cynical about the process she oversees, Olivia is moved by Taylor’s application and invites her for a personal interview that ensures Taylor’s acceptance.

While readers will root for these kids, Coll’s affection for her targets does not detract from her bite.

Pub Date: March 1, 2007

ISBN: 0-374-23719-0

Page Count: 304

Publisher: Sarah Crichton/Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 15, 2006

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TRUE BETRAYALS

Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1995

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