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BEACH WEEK

A little too reassuring (nothing truly bad happens), but Coll can be hysterically funny about parental idiocy.

Having gently skewered the college-application process (Acceptance, 2007), Coll trains her sights on another equally ridiculous tradition among certain upper-middle-class high-school graduates—the weeklong party at the beach.

As Jordan approaches her high school graduation in suburban Washington D.C., her friends start planning to rent a house at the Delaware shore for a week. Jordan, whose family moved East from Omaha her junior year, does not feel completely at home with her new friends and is secretly ambivalent about spending the week partying with them. Her parents, former teacher Leah and urban planner Charles, have been extremely protective of Jordan since her head injury playing soccer the year before and are critical of lenient parenting. Nevertheless, Leah agrees to host a meeting about the proposed rental for the clueless parents of Jordan’s friends, partly to prove she’s an involved parent, partly to experience Jordan’s fun vicariously. Already financially strapped, Charles is less enthusiastic. The beach week becomes one more tension point in an already shaky marriage. Soon all the parents have organized. They write up a pledge of good behavior for their daughters to sign and rent the girls a house assured that it belongs to a respected local author. Actually, the decrepit wreck—the realtor’s photos are of the house next door—belongs to the author’s ex-husband, whose mental health is questionable. Meanwhile the girls are also busy organizing—who is going to bring which illegal substance. When Jordan announces she wants to spend the week traveling with her new boyfriend, a college student from Tunisia, instead of with her friends, Leah and Charles push “beach week” as a safer alternative. Then they notice one of Jordan’s friends in a porn movie and change their minds again. But asked to chaperone, Charles jumps at the chance to do some partying of his own. Mayhem follows. 

A little too reassuring (nothing truly bad happens), but Coll can be hysterically funny about parental idiocy.

Pub Date: June 1, 2010

ISBN: 978-0-374-10925-7

Page Count: 304

Publisher: Shenanigan

Review Posted Online: June 20, 2011

Kirkus Reviews Issue: April 1, 2010

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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