Though the heroine’s latest adventure is far from her best, it’s packed with just about every plot device you’d expect from...

THE PARIS SPY

A British spy walks the fine line between brave and foolhardy in Nazi-occupied Paris.

Maggie Hope has played many roles in war-torn Britain, from Churchill’s secretary to Special Operations Executive spy (The Queen’s Accomplice, 2016, etc.). Now she’s in Paris waiting for forged identity papers and hoping to find her half sister, Elise Hess, a Resistance fighter who'd escaped from Germany, and learn the whereabouts of SOE agent Erica Calvert, who’s been collecting sand samples to help determine where the invasion forces should land. When the documents arrive, Maggie checks into the Hôtel Ritz posing as neutral Irishwoman Paige Kelly, who’s shopping for her trousseau. But tending to the wounds of a German knocked down by a bike as she’s on her way to the Ritz brings Maggie to the highly consequential attention of Generaloberst Christian Ruesdorf. At the Ritz, Maggie’s befriended by Coco Chanel, who introduces her to high-ranking Germans she’d rather avoid. Chanel invites Maggie to the ballet, where Sarah Sanderson and Hugh Thompson, two of Maggie’s fellow agents and close friends, are working, posing as a dancer and a cellist, respectively. Erica, it turns out, was captured and tortured by the Germans but kills herself before confessing anything. Her bag of samples is now in the hands of Sarah, who passes them on to Maggie. On the home front, SOE and MI6 continue to battle each other. Despite many warnings, SOE’s head ignores the fact that radio reports are coming from France without the code that’s supposed to guarantee their authenticity. As Maggie finds her sister hidden in a nunnery along with a wounded English pilot, the Germans back in Paris capture Sarah and Hugh, seriously endangering their plans. The secret of the invasion landing is the most important in the war, and Churchill will do anything to protect it. Can Maggie pull off a great escape and save the day?

Though the heroine’s latest adventure is far from her best, it’s packed with just about every plot device you’d expect from a World War II thriller, from horrifying plans to destroy the Jews to clever ploys to fool the Germans about Allied intentions.

Pub Date: Aug. 8, 2017

ISBN: 978-0-399-59380-2

Page Count: 320

Publisher: Bantam

Review Posted Online: June 6, 2017

Kirkus Reviews Issue: June 15, 2017

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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