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A MOST REMARKABLE FELLA

FRANK LOESSER AND THE GUYS AND DOLLS IN HIS LIFE

Engaging life of brilliant lyricist, songwriter, and composer Frank Loesser (1910-69), whose genius with words brings life to this loving biography by his daughter (a journalist, editor, geologist, etc., who's been published in Life and Family Circle). Much of the charm here lies in Frank Loesser's never failing ingenuity as Susan Loesser quotes his lyrics, letters, and notes for stage productions. The composer spent his life in the emotional shadow of his older brother Arthur, a gifted classical pianist and teacher, and of their mother, Julia, for whom young Frank's Pulitzer-winning Broadway endeavors lacked intellectual refinement. Loesser could never satisfy either family member, even when his most ambitious work, The Most Happy Fella, was praised for its immense variety of musical forms and operatic scope. Loesser, though an apparent egomaniac, thought himself a comparative failure and would put himself down as just an entertainer writing for the moment, future glory not required. Meanwhile, the composer's first wife, Mary, Susan's mother, who was ``pathologically meticulous,'' survived her divorce from Frank by resorting to alcohol and working as a tough-talking Broadway producer. Loesser was a famous Hollywood lyricist before making the big leap to Broadway with Where's Charley?, writing both music and lyrics, then with the quintessential New York musical, Guys and Dolls, his greatest hit. Throughout, the author quotes passages cut out of her father's shows, including from How to Succeed in Business Without Really Trying. The composer died of cancer at 59—when, we learn, he was already being swamped from all sides by detested rock music that was making him old hat. Though foulmouthed, Loesser grows on you wonderfully through his daughter's eyes.

Pub Date: June 30, 1993

ISBN: 1-55611-364-1

Page Count: 352

Publisher: Donald Fine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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