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POVERTY, CHASTITY & DISOBEDIENCE

MY SIX YEARS IN A CATHOLIC CONVENT

A frank, insightful personal account that delivers a discerning critique of the Catholic Church.

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In this memoir, a woman recollects her unconventional decision to forgo a college scholarship and become a nun—and the challenging years she spent in a convent.

In 1966, Mattern won a prestigious four-year scholarship to Washington University in St. Louis, her hometown. Her parents reacted with understandable pride but were then shocked to learn she had no intention of accepting; instead, she chose to enter a convent and become a nun. The author’s mother was a Roman Catholic but not the kind to be particularly enamored with the church or to pine for her children to become part of its official hierarchy. Mattern was motivated by a longing to understand and become closer to God, a desire she describes in lucidly thoughtful terms: “Most of my classmates didn’t seem to care much about God or religion, but I took it very seriously. I really did believe that God was the reason for our whole life. He had created me for a reason—he had created the whole universe, and it made sense for me to discover why He had made me.” Yet her experience at the School Sisters of Notre Dame was not what she expected. The women were anxiously sheltered from the outside world—the newspapers they received were marred by redactions. She was discouraged from getting too close to her fellow postulants for fear of such intimacy becoming a “Particular Friendship,” code for a lesbian romance. In addition, she came to realize that she was compelled to live under a mountain of nonsensical prohibitions that often seemed arbitrary, if not deliberately cruel. Eventually, Mattern became deeply disillusioned and, despite years of training, decided to leave.

The author’s brief remembrance is remarkably perceptive—she keenly observes all the ways in which the oppressive environment at the convent prevented the consummation of her spiritual desires: “We were eighteen and nineteen years old. Years where we should be expanding our world, meeting new people, women and men, learning, gaining new experiences, becoming ourselves. But we had been turned in on ourselves, forgetting who we were, striving to pour ourselves into a mold made hundreds of years ago in a different world.” Moreover, she believed the nuns unwittingly “reinforced the long-held patriarchal attitude of the church that we as sisters knew nothing,” frustrating her hopes of contributing to a more liberal, progressive church that treated women equally. Some of her superiors seemed more interested in quashing the last vestiges of her individuality than in offering encouragement. In one of the book’s most extraordinary remembrances, Sister Regina bitterly criticized Mattern after she delivered a piano recital, accusing her of narcissistic exhibitionism. With great intelligence, the author swings from personal reflection to a more objective critique of the Catholic Church. She considers the “massive exodus of nuns” from the church as a response to its failings. Mattern’s prose is perfectly suited to this dual function—it is as precise as it is informally candid. Moreover, while her appraisal has a powerfully personal element, it is free of the kind of bitterness that undermines rational arguments—for all her profound disappointments with her experience in a convent, the author proffers her criticisms with moderation and reserve. A frank, insightful personal account that delivers a discerning critique of the Catholic Church.

Pub Date: Dec. 14, 2021

ISBN: 9798785896048

Page Count: 288

Publisher: Self

Review Posted Online: Nov. 28, 2022

Kirkus Reviews Issue: Jan. 15, 2023

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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