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THE GOOD DOCTOR

Mates uses her experience as a practicing physician to make sensitive and insightful comment on the nature of healing. Each of the 12 stories in this slim debut evokes a weighty world filled with sadness and hope as men and women coping with failures and losses find the unexpected light at the end of the tunnel. But Mates is candid enough to offer no happy endings. As each character struggles with such harsh realities as political exile, cancer, betrayal, suicide, or lovelessness, release and salvation are attained only through suffering: A concert cellist and teacher fails a brilliant student for political reasons and suffers the guilt of her subsequent suicide for years until he purposefully cuts his finger and can never play again (``Juilliard''); a man loses his college-age son to wanderlust, and as his wife and family crumble, he finds an exciting new freedom (``Brickyard Pond''). Often, Mates incorporates her knowledge of medicine, offering a close-up of illness, trauma, and death, as well as a refreshing look at the healing potential of caregiving. For example, a young physician, contrary to all medical convention, advises an old man destined to die of cancer to forgo the painful, and probably pointless, therapy and learns that while she may not be a good doctor, she is a good person (``Laundry''). And in the powerful title story, the head of a hospital's medicine department allows herself to be seduced by a young, careless student who wants to blackmail her into passing him and experiences a reprieve from spinsterhood and the strict rules she had always forced herself to live by. Unfortunately, this collection of honest, profound tales is marred by the inclusion of a couple of stream-of-consciousness pieces that turn strong tales of teenage conflict (``My German Problem'') and a contagious disease specialist's battle with AIDS (``These Days'') into virtually meaningless drivel. Still, Mates possesses an extraordinary bedside manner.

Pub Date: Nov. 1, 1994

ISBN: 0-87745-467-1

Page Count: 138

Publisher: Univ. of Iowa

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1994

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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